Louis Armstrong Columbia & Rca

Louis Armstrong and Duke Ellington were (and are) two of the main stems of jazz. Any way you look at it, just about everything that's ever happened in this music leads directly – or indirectly – back to them. Both men were born on the cusp of the 19th and 20th centuries, and each became established as a leader during the middle '20s. Although their paths had crossed from time to time over the years, nobody in the entertainment industry had ever managed to get Armstrong and Ellington into a recording studio to make an album together. On April 3, 1961, producer Bob Thiele achieved what should be regarded as one of his greatest accomplishments; he organized and supervised a seven-and-a-half-hour session at RCA Victor's Studio One on East 24th Street in Manhattan, using a sextet combining Duke Ellington with Louis Armstrong & His All-Stars. This group included ex-Ellington clarinetist Barney Bigard, ex-Jimmie Lunceford swing-to-bop trombonist Trummy Young, bassist Mort Herbert, and drummer Danny Barcelona. A second session took place during the afternoon of the following day.

Louis Armstrong and Duke Ellington were (and are) two of the main stems of jazz. Any way you look at it, just about everything that's ever happened in this music leads directly – or indirectly – back to them. Both men were born on the cusp of the 19th and 20th centuries, and each became established as a leader during the middle '20s. …

Louis Armstrong - The Complete Town Hall Concert (1947) {2CD 2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4005~6}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 346 Mb | MP3 @320 -> 189 Mb
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© 1947, 2014 RCA / Sony Music Japan | SICP 4005~6 | Mono
Jazz / Classic Jazz / Early Jazz / New Orleans Jazz / Swing

Reissue with latest 2014 DSD remastering. Comes with liner notes. One of the key turning points of Louis Armstrong's career occurred at the Town Hall concert fully documented on this two-CD set, a reissue of the earlier two-LP release. Armstrong, who had been leading a big band for 18 years, was showcased with some musical friends who were all very complementary players (including trombonist Jack Teagarden, clarinetist Peanuts Hucko and cornetist Bobby Hackett), and the results were so exciting that Armstrong soon broke up his orchestra to form a similar all-star sextet.

Louis Armstrong & Duke Ellington - The Great Summit Complete Sessions (1961) {2CD Ron McMaster 24-bit Deluxe Edition}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 739 Mb | MP3 @320 -> 296 Mb
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© 1961, 2000 Roulette Jazz / EMI | 7243 5 24546 2 4
Jazz / Mainstream Jazz

Louis Armstrong and Duke Ellington were (and are) two of the main stems of jazz. Any way you look at it, just about everything that's ever happened in this music leads directly – or indirectly – back to them. Both men were born on the cusp of the 19th and 20th centuries, and each became established as a leader during the middle '20s. Although their paths had crossed from time to time over the years, nobody in the entertainment industry had ever managed to get Armstrong and Ellington into a recording studio to make an album together. On April 3, 1961, producer Bob Thiele achieved what should be regarded as one of his greatest accomplishments; he organized and supervised a seven-and-a-half-hour session at RCA Victor's Studio One on East 24th Street in Manhattan, using a sextet combining Duke Ellington with Louis Armstrong & His All-Stars.

Charlie Parker - Bird's Eyes: Last Unissued, Vol. 16 (1951-1954) {Philology W 846.2 rel 1999}
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© 1951-54, 1999 Philology | W 846.2
Jazz / Bop / Bebop / Big Band / Saxophone

Charlie Parker was a legendary Grammy Award–winning jazz saxophonist who, with Dizzy Gillespie, invented the musical style called bop or bebop. Charlie Parker was born on August 29, 1920, in Kansas City, Kansas. From 1935 to 1939, he played the Missouri nightclub scene with local jazz and blues bands. In 1945 he led his own group while performing with Dizzy Gillespie on the side. Together they invented bebop. In 1949, Parker made his European debut, giving his last performance several years later. He died a week later on March 12, 1955, in New York City.

The Perfect Jazz Collection, 25 historic full length album recordings from the vaults of Columbia, Epic, RCA Victor and Bluebird labels. Remastered CD versions with extra tracks were available. Each album is packaged in a card wallet, in a nice facsimile vinyl format. If you want a history of Jazz, this is a bargain. Classic albums included are Miles Davis' Kind Of Blue, Dave Brubeck's Time Out, Billie Holiday's Lady In Satin, Nina Simone's Sings The Blues, Erroll Garner's Concert By The Sea, Charlie Parker's Bird and many more!

This is the third full length album from Blue Moon Marquee. This record features a full band. Darcy Phillips on keys. James Hollywood Badger on drums, Jerry Cook on sax, Jack Garton on trumpet, Paul Pigat on guitar Jasmine Colette vocals and on bass, A.W. Cardinal vocals and guitar. Engineered/Co Produced by Erik Nielsen All songs recorded at Afterlife studios, Vancouver B.C.

Joe Bushkin - Three Classic Albums Plus (2013) {2CD Avid Jazz AMSC1097}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 571 Mb | MP3 @320 -> 384 Mb
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© 2013 Avid Jazz | AMSC1097
Jazz / Traditional Jazz / Piano

AVID Jazz here presents three classic Joe Bushkin albums plus, including original LP liner notes on a finely re-mastered and low priced double CD. 'After Hours'; 'Piano Moods'; 'Brad Gowans and his New York Nine' plus radio transcriptions, plus three tracks from 'The Jazz Keyboards' plus several tracks from the 78 era. Joe Bushkin plays jazz from the old school having come up in the late thirties where he began playing at the Famous Door on 52nd Street, New York before going on to play with the likes of Bunny Berigan, Muggsy Spanier, Eddie Condon, Bud Freeman, Tommy Dorsey and Louis Armstrong to name but a few greats! Across our selections Joe can be heard playing with the likes of Barney Kessel, Harry Babasin, Buck Clayton, Jo Jones, Sid Weiss and Morey Feld. All three albums plus have been digitally re-mastered.