Luar Na Lubre Mar Maior (2012)

Cafe Del Mar Volume 18 is collaboration with the leading artists that have played a major role in the history of Cafe del Mar and shaped the Сhillout music culture over the years. 20 of the tracks are especially composed for this project, which encapsulate the original spirit of Cafe del Mar. Volume 18 sees the return of many iconic artists such as Afterlife, Moby, Chicane, Bent and Underworld back to the series.

Cafe Del Mar Volume 18 is collaboration with the leading artists that have played a major role in the history of Cafe del Mar and shaped the Сhillout music culture over the years. 20 of the tracks are especially composed for this project, which encapsulate the original spirit of Cafe del Mar. Volume 18 sees the return of many iconic artists such as Afterlife, Moby, Chicane, Bent and Underworld back to the series.

On October 6, 1953, RCA held experimental stereophonic sessions in New York's Manhattan Center with Leopold Stokowski conducting a group of New York musicians in performances of Enesco's Roumanian Rhapsody No. 1 and the waltz from Tchaikovsky's opera Eugene Onegin. There were additional stereo tests in December, again in the Manhattan Center, this time with Pierre Monteux conducting members of the Boston Symphony Orchestra. In February 1954, RCA made its first commercial stereophonic recordings, taping the Boston Symphony Orchestra, conducted by Charles Münch, in a performance of The Damnation of Faust by Hector Berlioz.