Flock’ is the record that Jane Weaver always wanted to make, the most genuine version of herself, complete with unpretentious Day-Glo pop sensibilities, wit, kindness, humour and glamour. A consciously positive vision for negative times, a brooding and ethereal creation.
At last the debut album from Squid and it's everything you wished for and more. Bright Green Field is produced by Dan Carey and released via Warp Records. It's an album of towering scope and ambition, it is deeply considered, paced and intricately constructed. With all band members playing such a vital and equal role, this album is very much the product of five heads operating as one. Some bands might be tempted to include previous singles on their debut - and the band already released two more in 2020 via ‘Sludge’ and ‘Broadcaster’ - but instead Bright Green Field is completely new. This sense of limitlessness and perpetual forward motion is one of the the key ingredients that makes Squid so loved by fans and critics alike, from BBC Radio 6 Music who have A-Listed previous singles, ‘Houseplants’, ‘The Cleaner’ and ‘Match Bet’ to publications such as, The Guardian, NME, The Face, The Quietus and countless others.
Prior to becoming the iconoclastic vocalist who would revolutionize the role of women in rock & roll during the 1980s, Cyndi Lauper fronted Blue Angel, a retro-rock quintet that was all too short-lived. Their sound recalls all that is good (OK, great) about the superbly crafted early-'60s pop music genre – especially female-led units such as the Angels and the Ronettes. Producer Roy Halee perfectly re-creates Phil Spector's Wagner-ian "Wall of Sound" on the upbeat "I Had a Love" – complete with timpani interjections and percussive castanet flourishes – as well as "Just the Other Day," throwing in more than a hint of a reggae shuffle backbeat.