Lucifer Omnibus Vol. 1 (the Sandman Universe Classics

The Sandman Universe - Volume 1 Comics

Posted by Mendose at Nov. 30, 2023

The Sandman Universe - Volume 1
Italian | CBR | 49 pages | 53.6 MB

The Story of the Stone, or The Dream of the Red Chamber, Vol. 1: The Golden Days (Penguin Classics) eBooks & eLearning

Posted by IrGens at July 31, 2021

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The Forsyte Chronicles, Vol. 1: The Forsyte Saga [Audiobook] Audiobooks

Posted by IrGens at Sept. 6, 2021

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The Legendary Pink Dots - A Guide To The Legendary Pink Dots Vol. 1: The Best Ballads (2000) Music

Posted by v3122 at July 9, 2021

The Legendary Pink Dots - A Guide To The Legendary Pink Dots Vol. 1: The Best Ballads (2000)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
SPV Poland, SPV-L 0012 | ~ 404 or 165 Mb | Artwork(jpg) -> 6.20 Mb
Electronic, Rock, Abstract, Psychedelic Rock, Experimental

The Legendary Pink Dots are so prolific, wildly eclectic and experimental, that it's easy to forget how beautifully melodic they are in album after album. This selection of psychedelic power ballads is so skillfully compiled that it sounds like a proper free standing album, not a compilation. It's totally wonderful, with quirky leftfield hooky songs, impeccable musicianship that always characterizes LPD…

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The Velvet Underground - The Bootleg Series Vol.1 - The Quine Tapes (2001) Music

Posted by ciklon5 at Oct. 14, 2023

The Velvet Underground - The Bootleg Series Vol.1 - The Quine Tapes (2001)
FLAC (tracks), Lossless / MP3 320 kbps | 3:49:52 | 524 / 918 Mb
Genre: Psychedelic Rock, Classic Rock, Art Rock / Label: Commercial Marketing

Despite the black market vibe of the title (Bootleg Series Volume 1: The Quine Tapes), these grainy but historically significant live Velvet Underground recordings–taken from poorly attended shows in San Francisco during November 1969 (the post-John Cale and pre-Loaded era)–have never been made available before, illegally or otherwise. Furthermore–and unlike most other bootleggers–avid young fan and tape recorder operative Robert Quine (an apprentice disciple of Lou Reed's savage guitar style and a future founding member of punk combo Richard Hell and the Voidoids) didn't have to suffer the personal indignity of standing furtively at the back of the hall with a microphone stuffed down his trousers.

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