Lustery Keilyn Marina

Pulitzer Prize- and GRAMMY® Award-winning composer Aaron Jay Kernis’s Flute Concerto was inspired by and written for Marina Piccinini. Its four movements explore darker and lighter elements in various dance forms, most of which begin calmly but end up spiraling out of control. Kernis describes the songlike Air as ‘a love letter to the flute.’ His Second Symphony was composed at the time of the Persian Gulf War and signified a powerful shift of tone in his music. Non-programmatic but linear and compact, it forms a part of his ‘War Pieces’ of 1991–95. Internationally renowned flutist Marina Piccinni’s rich artistic tapestry is woven from her multinational upbringing and vibrant, global perspective. Her extensive programs include premieres by Aaron Jay Kernis, John Harbison, Lukas Foss, and Paquito D’Rivera. She has appeared as a soloist with the Boston, Vienna, Tokyo, and Toronto National Symphonies, among others.

Making a welcome return to the quirky pop stylings of her breakthrough period as Marina and the Diamonds, Marina Diamandis strikes a balance between that era's wit and energy and the introspective balladry of her later work on her fifth set, Ancient Dreams in a Modern Land. Though not as sprawling as 2019's double album Love + Fear, Ancient Dreams takes a similar approach by thematically splitting itself in two, dividing pain between existential crises and internalized heartbreak. For fans of her earlier LPs, the electrified half of this effort is a nostalgic delight, immediately reviving the trademark vocal cadence and lyricism of Family Jewels and Electra Heart on the opening title track, a pulsing standout that sounds like Muse's "Uprising" colliding with Britney Spears' "Womanizer."