Lutz Deterra Eye to Eye (2021) [hi Res]

Same Train, A Different Time (subtitled Merle Haggard Sings the Great Songs of Jimmie Rodgers) is the ninth studio album by American country music artist Merle Haggard backed by The Strangers, released in 1969, featuring covers of songs by legendary country music songwriter Jimmie Rodgers. Same Train, Different Time is Merle Haggard's affectionate tribute to Jimmie Rodgers. Haggard provides narration between the songs, offering tales of Rodgers' life and music. While the album is rooted in the past, the key to its success is how Haggard updates these traditional songs without losing sight of their roots. There are contemporary folk, country and blues influences scattered throughout the record, adding depth to the music and proving that Rodgers' music is indeed timeless.

Ravyn Lenae announces her sophomore album Bird's Eye. The album - executive produced by GRAMMY-winning producer, Dahi (Drake, SZA, Kendrick Lamar) - is heralded by two new songs, "Love Me Not" and “Love Is Blind.” “Love is Blind” reminisces about a past relationship with regret but also hope for personal growth. While “Love Me Not” portrays a tumultuous relationship of desiring someone and rejecting the notion of dependence.“‘Bird’s Eye’ signifies returning to a place of self-trust and unbending intuition while acknowledging the paths and turns I’ve taken to get here,” Lenae says of the album. “Revisiting the most basic parts of my identity has allowed me to fully embrace them and be proud of where I’m going.”Bird’s Eye is the follow-up to Ravyn Lenae’s critically acclaimed debut album HYPNOS, which was celebrated by Pitchfork and NPR as one of the best albums of 2022.

Recorded live 1990. In celebration of the album's 30th anniversary, this 5xLP set is pressed on 180g vinyl housed in a textured paper, foil-stamped box and available in a limited edition of 10,000 copies.

7 è il tredicesimo album in studio del cantante italiano Luciano Ligabue, pubblicato il 4 dicembre 2020 dalla Warner Music Italy[3]. Lo stesso giorno viene pubblicato il cofanetto 77+7 che comprende, oltre all'album 7, la versione rimasterizzata dei 77 singoli di successo del cantautore emiliano. Entrambi gli album sono stati pubblicati per celebrare i primi trent'anni di carriera di Ligabue.

Absolutely incredible soundboard recording of this fantastic performance. If you are a big fan of the Adore era of this band in 1998, then this is a must own. Live at the Viper Room 1.15.98 is a live album by The Smashing Pumpkins documenting the January 15, 1998 solo acoustic performances by Billy Corgan and James Iha at the The Viper Room. It is the second installment of the archival series after Live at Kawasaki 2.24.92, though Live at the Viper Room shipped first. In this edition, Iha debuts his solo material for Let It Come Down, while Corgan debuts the new songs for Adore, both only on acoustic guitar.

Recorded September 8-11 by Nate Campisi at Mr. Smalls Studio, Pittsburgh, PA. Side D, OURS AND THEIRS, recorded live at the Carousel Lounge, Austin, TX, December 16, 2019.

Guitarist Kenny Burrell debuted on Blue Note Records in 1956 and over the following 7 years made a series of excellent albums for the label that culminated with his masterwork Midnight Blue. Recorded in 1963, the album waded deep into the blues, conjuring an alluring late-night vibe with a profoundly soulful cast including tenor saxophonist Stanley Turrentine, bassist Major Holley, Jr., drummer Bill English, and Ray Barretto on congas. Burrell originals including “Chitlins con Carne,” “Midnight Blue,” “Saturday Night Blues,” and the stunning solo guitar piece “Soul Lament” set the tone for this timeless classic adorned by one of the all-time great Reid Miles cover designs. This Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

Il mio prossimo amore/Penelope è un singolo di Loretta Goggi, pubblicato nel 1981 come secondo estratto dell'album Il mio prossimo amore. Il singolo si posiziona al ventesimo posto dei singoli più venduti e, secondo le certificazioni ufficiali della FIMI, vendette cinquecentomila copie Il brano sul lato A, scritto da Paolo Amerigo Cassella e Totò Savio, già autori del successo Maledetta primavera, racconta l'avventura estiva di una donna (tu sopra di me) da lei vissuta nell'attesa di un prossimo amore che si augura più grande, bello ed importante. Il mio prossimo amore era la sigla finale di Hello Goggi, primo varietà musicale di Canale 5 del 1981 per la regia di Enzo Trapani, che vede la soubrette debuttare sulle reti Fininvest. Contribuisce al successo del brano anche la coreografia del gesto con le mani che si incontrano di scatto e si aprono lentamente assieme alla ritmica del ritornello.
Il lato B del disco contiene Penelope, scritto da Paolo Amerigo Cassella, Jacqueline Schweitzer e Franco Marino, anch'esso contenuto nell'album. Il 45 giri è stato distribuito anche in Germania, Austria e Scandinavia.

This limited edition comes with an exclusive signed print. One of the UK's best-selling all-round talents, as a songwriter, producer and glam rock pop Star! As a songwriter, producer and glam rock pop Star, Barry Blue has sold more than 45 million Records, had approx. 50 worldwide hits and has registered more than half-a-billion streams! Barry has written for artists as diverse as Diana Ross, celine Dion and Andrea bocelli…To the Saturdays, pixie lott, Philip Bailey, five Star and bananarama. He produced the early classic Heat wave albums, including multi-million selling U.S. Hits such as 'boogie nights', 'the groove line and 'always and Forever' Which have become modern classics. 'Out of the blue - 50 years of discovery' Focuses not just on Barry blue's songwriting but on him as a recording artist, who has transcended the decades, keeping relevant in those times, with each CD being themed. 'Out of the blue…' celebrates 50 years since the release of his debut single 'together', which is included on this set, alongside all of his UK hits, 'dancing' (On a Saturday night)', 'do you wanna dance', 'school love', 'miss hit and run' And 'Hot shot'.

After nearly over a decade and four albums, Beta Radio’s Ben Mabry and Brent Holloman decided to see other people. The duo’s new album Waiting for the End to Come marks the first time they’ve worked with other songwriters. During a writing retreat in Nashville the two friends shared a creative experience that bordered on the spiritual. If 2021’s Year of Love is about searching for language, answers and love – Waiting for the End to Come is about finding it. The songs are grounded in a physicality that’s gorgeously set against the sonic wall of acoustic guitars, strings, and the harmonies for which Beta Radio has become so well known.Over the years, American Songwriter has claimed the band is “evoking serenity” and “emit an incandescent optimism.” The praise is both heady and ethereal, much like the band’s previous albums, many of which are dominated by gorgeous, yet restless musical energy. But on this album, that energy is underpinned and supported by the broad shoulders of narrative-driven songwriting that feels urgent, tactile, and resonant. Every song on Waiting for the End to Come feels like a radio song, no small feat for a band with such an expansive sound, a band that routinely reaches emotional heights while soaring on mystical themes.On Waiting for the End to Come, Beta Radio is not on the verge of something new. They are in the midst of it, and it is wonderful to be there with them.