Måneskin Teatro D'ira Vol. I

Jean-Pierre Rampal - The Complete Erato Recordings Vol I. 1954-1963 (2015) {10CD Box Set Erato-Warner Classics 0825646190447}
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© 2015 Erato / Warner Classics | 0825646190447
Classical / Chamber Music / Flute

Ushering in a new golden era for the flute as solo instrument, Jean-Pierre Rampal secured his place in the classical music firmament as the greatest flautist of the modern era. Over 25 years (1954-1982), the French virtuoso’s fruitful collaboration with Erato grew into a truly exceptional achievement in recording history: an encyclopedia of flute music in vital performances that have remained the benchmark for generations. The first complete reissue of these recordings represents the most important collection ever dedicated to a single flautist. After all, it was Jean-Pierre Rampal that taught us to love the flute.

Duane Allman - An Anthology, Vol. I (1972) {2CD Set 2008 SHM-CD Japan Mini LP, Universal Japan UICY-93507~8}
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© 1972, 2008 Universal / Polydor / Capricorn | UICY-93507/8
Rock / Blues Rock / Southern Rock / Blues

Cardboard sleeve (mini LP) reissue from Gregg Allman featuring the high quality SHM-CD format, the latest remastering, and Cardboard sleeve replica of the original English LP artwork. Duane Allman's greatness was apparent on his recordings with the Allman Brothers, yet there was another side to the superb guitarist. For many years, he was a highly respected session musician, playing on cuts by Wilson Pickett, Aretha Franklin, King Curtis, Boz Scaggs, Delaney & Bonnie, and Clarence Carter, among others. By including those session cuts, as well as a sampling of his brief sojourn in Eric Clapton's Derek and the Dominoes and a few rare solo tracks, along with a number of representative Allman Brothers songs, the double-album Anthology winds up drawing a complete portrait of Allman. He may have recorded plenty of other material worth hearing, but this has the bare essentials for an excellent introduction and retrospective.

From the notes: Introduction: Blessed with a colossal technique and a superabundance of musicianship and intelligence, Egon Petri was one of the supremely gifted pianists of the first half of this century. So why, during his years in the concert hall, did he fail to attract the type of public admiration enjoyed by so many of his less gifted contemporaries?

Joshua Pierce brings to John Cage's music an almost uninhibited classicism, but that only bolsters the compositions. He opens A Room and emphasizes its shifts with the attention of a concert pianist, rather than someone who follows Cage's directions to play the piece very quietly. Pierce, in fact, takes each of these dozen works, all of them dating to the 1940s and '50s, and draws from them the resonant Cagean oddness—phrases of weird shapes and all. But he adds a ton, too. In a Landscape sounds almost wholeheartedly minimalist in its tone colors, and She Is Asleep sounds both drummerly (on the artfully flat prepared piano) and jazzy, with Jay Clayton dropping some scat vocals in ever so subtly. This is, after all, the period when Cage was discovering the closeness between percussion and motion, on the one hand, and percussion and the modified piano, on the other hand. So these pieces blurt out chunky phrases, build with shaded drama, and rumble delicately along. It's a difficult assessment making suggestions when it comes music so notoriously open to interpretation. But Pierce has played all the Cage piano and prepared-piano stuff, creating a Wergo series that any lover of the piano repertoire should own in full. Here, anyway, is an excellent introduction, perfect for the Cagean neophyte and still inventive enough to energize owners of Roaratorio or Frances Marie Uitti's Works for Cello.

Cold paints of space on the other side of the suit. What is attractive and terrifying space? There is no horizon, you reach out and absorbed by outer darkness, warmed distant, cold stars… The first part of the book devoted to the theme of space. The work includes 26 tracks, one way or another connected with the subject of space, from the 26 performers, both local and foreign.