Måneskin Teatro D'ira Vol. I (2021)

This collection delves yet deeper into the archives of country blues, uncovering hidden gems by artists shrouded in mystery. From classic renditions of blues standards to intriguing novelty songs, this is a must-listen for any blues connoisseur.

As a lifelong soul boy - poet, actor, presenter Craig Charles has been adding to his trunk of funk music since his youth, and now after almost 20 years hosting his world renowned BBC6 Music and Radio 2 shows, DJing at clubs and festivals around the globe his reputation as an ambassador for all things soulful & funky is indisputable.

The songs on Diane Warren: The Cave Sessions Vol. 1 joins a beyond-impressive songwriting resume that includes countless staples of modern music history. The list of legends and icons Warren has written for, from Aretha Franklin to Willie Nelson to Cher, is jaw-dropping. But she also continues to work with many of today’s most popular acts, including Beyoncé, Lady Gaga, Justin Bieber, Christina Aguilera, Snoop Dogg, Kelly Clarkson, Carrie Underwood, Jennifer Hudson, Andra Day, Demi Lovato, Common, Janelle Monáe, Zendaya, Emeli Sandé and Mickey Guyton. She’s penned nine #1, thirty-two top 10 hits on the Billboard Hot 100, and is a member of the Songwriters Hall of Fame.

With candle powered torch in hand, and flat cap upon his head, it's time once again for good old Mr Stormy to give up his newly discovered treasures. Now in it's sixth year. DGM presents the unearthed treats from the murky, cavernous archives. These have only previously been offered as MP3s, but now, for your delight and fetishization, can be suffered in full FLAC quality. How do they do it! Take a little time to savor and enjoy another fantastic collection of newly polished gems!

Ferdinand Ries presents himself as a master of chamber music with the three extraordinarily imaginatively composed works on Vol. 3 of our edition of his complete works for flute and strings. On the one hand he is firmly rooted in the tradition of his great classical models. On the other hand he takes the step to a poetic musical worldview that by no means corresponded to the mainstream between 1815 and 1830. Some time before Novalis had written: "The world must be romanticized."

Former Styx frontman Dennis DeYoung is back with the second volume of his fond farewell to recorded music, "26 East, Vol. 2.” As with the preceding volume, "26 East, Vol. 2" once again hints strongly at DeYoung's rock roots with Styx. The production and musicianship are EPIC, and those timeless vocal arrangements get delivered in spades. A fitting goodbye and a final signature on an outstanding body of work which will stand the test of time! DeYoung has previously stated that "26 East” will mark his retirement from the world of recorded music. It was thanks to Frontiers CEO, Serafino Perugino, that given the abundance of material, Dennis agreed to split the album in two parts. This second half starts where the previous one left off and sees DeYoung collaborate again with the awesome Jim Peterik, a fellow Chicagoan and nearby neighbor, for the songwriting on select tracks.

Former Styx frontman Dennis DeYoung is back with the second volume of his fond farewell to recorded music, "26 East, Vol. 2.” As with the preceding volume, "26 East, Vol. 2" once again hints strongly at DeYoung's rock roots with Styx. The production and musicianship are EPIC, and those timeless vocal arrangements get delivered in spades. A fitting goodbye and a final signature on an outstanding body of work which will stand the test of time! DeYoung has previously stated that "26 East” will mark his retirement from the world of recorded music. It was thanks to Frontiers CEO, Serafino Perugino, that given the abundance of material, Dennis agreed to split the album in two parts. This second half starts where the previous one left off and sees DeYoung collaborate again with the awesome Jim Peterik, a fellow Chicagoan and nearby neighbor, for the songwriting on select tracks.

Ferdinand Ries presents himself as a master of chamber music with the three extraordinarily imaginatively composed works on Vol. 3 of our edition of his complete works for flute and strings. On the one hand he is firmly rooted in the tradition of his great classical models. On the other hand he takes the step to a poetic musical worldview that by no means corresponded to the mainstream between 1815 and 1830. Some time before Novalis had written: "The world must be romanticized."