Marc Copland

In recent years Marc Copland has been honing an introspective approach to the piano that's as heavy on substance as it is on style. But with the exception of his ongoing trio with bassist Drew Gress and drummer Jochen Ruchert, he's concentrated on solo work, duets and an unconventional trio with trumpeter Kenny Wheeler and guitarist John Abercrombie. As a result, this recording, where he shares top billing with veteran trumpeter Randy Brecker, comes as something of a surprise.

David Liebman, Marc Copland, Ralph Alessi, Drew Gress and Joey Baron are well known contemporary jazz masters–each a player, composer, and bandleader in his own right. Grounded in the jazz tradition, they are also committed to stretching the boundaries of the possible. These musicians have years of experience touring and recording together– Baron and Copland in Gary Peacock's trio; Gress and Baron in Copland's trio; NEA Master David Liebman and Copland in duo, quartets, and quintets; Drew Gress in Ralph Alessi's ECM groups; and Alessi in Copland's quartet. All the members contribute tunes to the band's repertoire.

Saxophonist turned jazz pianist Marc Copland has been busy recording for a Switzerland based record label. He continues his high level of musicianship with his core trio, along with tenor saxophonist Michael Brecker and guitarist John Abercombie, both performing on selected tracks. Copland possesses a sensitive touch, while also residing as a well-versed swing and bop pianist.

"Speak to Me" is the CD premiere of a duo that has actually been in existence for some time. The recordings with pianist Marc Copland and guitarist John Abercrombie are classic examples of the quiet, calm art of communication practiced at the highest level. The musical meeting of these two contemporary jazz maestros has a wonderfully organic feel. It is comparable to the finest chamber music. The pieces shimmer with multifarious shades and meanings. They are small sound sculptures of artful transience. This is music from two of the most insightful players of jazz.

The co-leaders of this date first met back in the 70's, when pianist Marc Copland's instrument of choice was the saxophone. Whereas the teaming of the pianist's trio with sax great Dave Liebman reflects a natural extension of their fairly recent collaboration at the Santa Fe, New Mexico Jazz Festival. With this release, Copeland brings his elegant touch to the forefront, which is a characteristic that intrinsically complements, his partner's lofty excursions on both tenor and soprano saxophones.

"These love songs are about more than their meaning. They're about the love that these men have for the music, the joy that they find in playing together and the beauty that exists in the act of creation. And, contrary to popular belief, sequels aren't always subservient to the originals. This music is second to none."

Marc Copland joins forces with a trio of fellow seasoned veterans, including guitarist John Abercrombie, bassist Drew Gress, and drummer Billy Hart for this 2007 studio session. The chemistry between the four men is apparent from the very beginning. The pianist's introspective ballad "Like You" is a complex affair, frequently showing the influence of Bill Evans in his lyrical ideas, though Copland's dark interwoven lines take in him other directions as well.

The two reunite for Insight, with Peacock's name first on the marquee, though it's likely nothing more than the egalitarian nature of this duo that his name is first, since Copland's was the lead on What It Says. It's another set of deeply connected music—a mix of Copland and Peacock originals, free improvisations and well-known but instinctively personal covers.

The release of the Gary Peacock Trio's Now This celebrates Peacock's 80th birthday. Accompanied by pianist Marc Copland and drummer Joey Baron, the bassist explores compositions both familiar and new. His collaborators also contribute a tune each. "Gaia" first appeared on 1995's A Closer View with Ralph Towner. In the intro to this version, Copland uses his instrument's high register to commence a call and response with Peacock; Baron's use of muted cymbals adds a gauzy texture before the waltz tempo and the lyric commence, adding a new dimension.