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Maria Schneider Orchestra

Maria Schneider Orchestra - The Thompson Fields (2015) {ArtistShare AS0137}

Maria Schneider Orchestra - The Thompson Fields (2015) {ArtistShare AS0137}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 415 Mb | MP3 @320 -> 188 Mb
Full Artwork @ 300 dpi (jpg) -> 46 Mb | 5% repair rar
© 2015 ArtistShare / Maria Schneider | AS 0137
Jazz / Experimental Big Band / Post-Bop / Modern Big Band / Progressive Jazz

There's a wealth of information to be found inside the beautiful packaging that accompanies this release, but a brief Theodore Roosevelt quote may be the most telling piece of text to be found there. It reads: "There is nothing more practical in the end than the preservation of beauty, than the preservation of anything that appeals to the higher emotions in mankind." That really says it all about this artist and her work, for there is nobody more capable of harnessing emotions in music and projecting and preserving the beauty and power of the natural world in sound than Maria Schneider. She's demonstrated that time and again, and she does it once more on this awe-inspiring release.
Maria Schneider Orchestra - Days Of Wine And Roses (2000) {ArtistShare 0017 rel 2005}

Maria Schneider Orchestra - Days Of Wine And Roses (2000) {ArtistShare 0017 rel 2005}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 389 Mb | MP3 @320 -> 154 Mb
Full Artwork @ 300 dpi (jpg) -> 44 Mb | 5% repair rar
© 2000, 2005 Maria Schneider / ArtistShare | Artistshare 0017
Jazz / Experimental Big Band / Post Bop / Modern Big Band / Progressive Jazz

Maria Schneider won the Grammy award in 2004 for her Concert in the Garden recording and has chosen to follow that accomplishment with the reissue of her long-awaited, hard-to-find recording released in 2001 titled Days of Wine and Roses. The CD was recording "live" at the Jazz Standard in New York City in 2000, and was originally packaged with a bottle of Riesling wine which bore Schneider's name. This CD-only reissue boasts the raw essence of the orchestra's "live" performance and is comprised of original compositions and five jazz standards including Henry Mancini's"Days of Wine and Roses."
Maria Schneider Orchestra - Concert In The Garden (2004) {ArtistShare 0001}

Maria Schneider Orchestra - Concert In The Garden (2004) {ArtistShare 0001}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 325 Mb | MP3 @320 -> 140 Mb
Full Artwork @ 300 dpi (jpg) -> 6 Mb | 5% repair rar
© 2004 ArtistShare / Maria Schneider | 0001
Jazz / Experimental Big Band / Post-Bop / Modern Big Band / Progressive Jazz

Concert in the Garden is orchestral jazz great Maria Schneider's proudest achievement and a revelation for fans of big band, as well as jazz subgenres beyond. Though she proved with earlier discs, such as 1994's bright, thoughtful Evanescence, that her ability to transport moods and atmospheres into fully recognizable and deeply meaningful musical whirls was more intricately developed than many current composers, the performances she teases from her musicians throughout Concert in the Garden are an even sturdier testament to a fierce talent.
Maria Schneider Orchestra - Allégresse (2000) {Enja Records ENJ-9393 2}

Maria Schneider Orchestra - Allégresse (2000) {Enja Records ENJ-9393 2}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 350 Mb | MP3 @320 -> 171 Mb
Ful Artwork @ 300 dpi (jpg) -> 11 Mb | 5% repair rar
© 2000 Enja Records | ENJ-9393 2
Jazz / Modern Big Band / Experimental Big Band / Progressive Jazz

GRAMMY–NOMINATED – Best Large Jazz Ensemble Recording. There have been very few orchestral composers in jazz who achieved creative success, if only because such a combination of talents–from logistics to force of will to the openness to input from the players–is wildly rare. Maria Schneider, once a protégée of Gil Evans, has been demonstrating those talents since her orchestra's debut in 1994, Evanescence. The vagaries of big bands make working relationships particularly important, and Schneider is attuned to every nuance and timbre of her musicians.

Maria Schneider Orchestra - Sky Blue (2007) {ArtistShare AS0065}  Music

Posted by ruskaval at Sept. 5, 2019
Maria Schneider Orchestra - Sky Blue (2007) {ArtistShare AS0065}

Maria Schneider Orchestra - Sky Blue (2007) {ArtistShare AS0065}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 295 Mb | MP3 @320 -> 151 Mb
Full Artwork @ 600 dpi (jpg) -> 298 Mb | 5% repair rar
© 2007 ArtistShare / Maria Schneider | AS0065
Jazz / Experimental Big Band / Post-Bop / Modern Big Band / Progressive Jazz

Traditional big band arranging focuses on give and take between sections - trumpets, trombones and reeds - with rhythm support. Spiced with counterpoint and polyrhythms, this approach still produces some very exciting music. That's not where Maria Schneider is at. She cuts across sections and emphasizes ensemble color and sound, a way pioneered by Ellington, and developed by her mentor, Gil Evans. In liner notes as moving as her music, Schneider describes her starting point. "…I cast out a few exploratory tones in search of meaningful sound. Given a little gestation time, the seeds of each piece started to pop, revealing something very personal. I found myself either on a journey back in time or deep inside myself, the music exposing even more than I'd consciously felt from any of the actual experiences. The experiences transmuted into sound…".
Maria Schneider Jazz Orchestra - Evanescence (1994) {Enja ENJ-8048 2}

Maria Schneider Jazz Orchestra - Evanescence (1994) {Enja ENJ-8048 2}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 416 Mb | MP3 @320 -> 174 Mb
Full Artwork @ 300 dpi (jpg) -> 11 Mb | 5% repair rar
© 1994 Enja Records ‎| ENJ-8048 2
Jazz / Experimental Big Band / Post-Bop / Modern Big Band / Progressive Jazz

Maria Schneider's debut as a leader is quite impressive. Her complex arrangements of her nine originals are most influenced by Gil Evans and Bob Brookmeyer, although her own musical personality shines through. There are strong solos from tenors Rick Margitza and Rich Perry, trumpeter Tim Hagan, altoist Tim Ries, and particularly pianist Kenny Werner, but it is the moody ensembles that most stick in one's mind. Schneider's arrangements are often dense, a bit esoteric, and thought-provoking; this music may need several listens for one to grasp all that is going on.
Maria Schneider Jazz Orchestra - Coming About (1996) {Enja ENJ-9069 2}

Maria Schneider Jazz Orchestra - Coming About (1996) {Enja ENJ-9069 2}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 426 Mb | MP3 @320 -> 164 Mb
Full Artwork @ 300 dpi (jpg) -> 10 Mb | 5% repair rar
© 1996 Enja Records | ENJ-9069 2
Jazz / Experimental Big Band / Post-Bop / Modern Big Band / Progressive Jazz

Composer/arranger Maria Schneider and her 18-piece orchestra perform a variety of advanced and difficult music on this CD. The centerpiece of the set is her three-part "Scenes from Childhood" which deals with fear, confusion and grudging acceptance; do not look here for any childlike melodies or playfulness. In addition the big band plays a reworked version of "Giant Steps," the "Love Theme from Spartacus," the Spanish-flavored "El Viento" (which is slightly reminiscent of Gil Evans's writing for Sketches of Spain) and "Waxwings."
Maria Schneider & SWR Big Band - Live! - Plays The Music Of Maria Schneider & Kurt Weill (2000) {2 CD CK Records - CK00400}

Maria Schneider & SWR Big Band - Live! - Plays The Music Of Maria Schneider & Kurt Weill (2000) {2 CD CK Records - CK00400}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 648 Mb | MP3 @320 -> 253 Mb
Full Artwork @ 600 dpi (png) -> 348 Mb | 5% repair rar
© 2000 CK Records | CK00400
Jazz / Modern Big Band / Progressive Jazz

Concerts with Maria Schneider are something special. They are stylistically not only out of the ordinary, they also manage to bring large orchestras to perform artistically at high voltage, with an energy and at a creative level which is otherwise known only in much smaller ensembles. It is not the music alone that drives the participants, but rather the serene seriousness of a band leader who demands a maximum of intensity from her compositions and passes this premise on to their interpretation. It is impossible to conceive of compositions for jazz orchestras more stringently. The instrumentalists know this too, and therefore feel called upon not only to reproduce the charts accurately but to work out all the contained hints, implications, and visions of sound down to the deepest levels. This original recording was made in May 2000 when Schneider appeared alongside the SWR Big Band. And for the SWR Big Band, those days in May 2000 are some of the highlights of their orchestral history.
Federico Maria Sardelli, Orchestra dell' Accademia Teatro alla Scala - Donizetti: Olivo e Pasquale (2017)

Federico Maria Sardelli, Orchestra dell' Accademia Teatro alla Scala - Donizetti: Olivo e Pasquale (2017)
NTSC 16:9 (720x480) | Italiano (LinearPCM, 2 ch) | (Dolby AC3, 6 ch) | 200 min | 5,67+3,90 Gb (DVD9+DVD5)
Classical | Label: Dynamic | Sub: Italiano, English, Francais, Deutsch | Recorded: 2016

From Dynamic comes the riveting opera performance of Olivo e Pasquale, a fan favorite that has delighted audiences for years. Known also as Melodramma giocoso, or romantic comedy opera about the title character brothers and their conflicting lives with those around them, this is the 1827 Neapolitan version with slight revisions and recorded for the first time at the 2016 Donizetti Festival of Bergamo.
Fabiano Maria Carminati, Orchestra of Bergamo Musica Festival Gaetano Donizetti - Donizetti: Anna Bolena (2006)

Fabiano Maria Carminati, Orchestra of Bergamo Musica Festival Gaetano Donizetti, Dimitra Theodossiou - Donizetti: Anna Bolena (2006)
NTSC 16:9 (720x480) VBR | Italiano (LinearPCM, 2 ch) | (Dolby AC3, 6 ch) | 5.70 Gb + 5.41 Gb (2*DVD9) | 183 min
Classical | Dynamic | Sub: Italiano, English, Francais, Deutsch, Espanol

In the summer of 1830 the impresarios of Teatro Carcano contacted Donizetti and asked him to compose a new opera for the season’s opening. At the moment of signing the contract Donizetti still ignored the subject of the new opera; but he knew that the librettist would be Felice Romani and the female protagonist Giuditta Pasta. Success was resounding and unanimous, also with the critics. Donizetti had indeed reached artistic maturity. Anna Bolena tells of a human drama of solitude and oppression; it is a work of psychological introspection centred.