Night Lines (1993). Terry's use of guitar blended with acoustic and synthesized instruments is almost perfect. Local Australian talent at it's best, Terry and his friends have created a wonderful music style with undertones of Deep Forest and Single Gun Theory. This is his third album, and like the others, is hard to find and virtually unheard of in local stores. How can talent like this be overlooked? It is hard to put this music style into a music store category - Ambient Jazz & World Music - don't quite hit the mark, but if you like browsing these sections of your favorite music store you will enjoy this unique experience. What he lacks in height he makes up for in talent.
This meeting took place at ScienSonic Laboratories in Teaneck, NJ on April 21, 2015 (the day after the Heliosonic Toneways session). This recording is significant in that it presents the first music Roscoe Mitchell ever played with either Marshall Allen or Milford Graves. It also represents a bit of a departure for me personally, as Milford Graves is so far the only artist to appear on ScienSonic with whom I have not previously performed as a sideman. It has long been a dream to play music with Professor Graves, so I took the plunge or perhaps "lift-off" would be a better term. As the professor said to me after the date, "Man, at one point you went so far out there, we weren't sure if you were coming back!" Well, it took 4 ½ years, but at least I made it back in time to finally mix and present this music. Everything was recorded in one open room with no separation or barriers of any kind, as suggested by Mr. Graves, and is presented here in the order it was played.
Wayne Marshall was born in 1961 and is an English pianist, organist, and conductor. He’s the Chief Conductor of WDR Funkhausorchester in Cologne and Organist and Associate Artist of the Bridgewater Hall, Manchester.
Tyler Mitchell was a member of the Sun Ra Arkestra with Marshall in 1985 with Sun Ra, then much later when Marshall became musical director. On this recording Tyler has the opportunity to perform Marshall Allen's and Sun Ra's compositions with a small ensemble. They used different ideas and concepts from two of Tyler’s former band leaders: Arthur Taylor and the Sun Ra Arkestra.