Masterm Feat. Sean Kingston Killin' ME Softly

Perhaps realizing that Down on the Farm wasn't the proper swan song for Little Feat, the group persuaded Warner Brothers to release a compilation of rarities and overlooked tracks as a swan song and farewell to fans. Filled with live performances, obscurities, album tracks, and a new song apiece from Bill Payne and Paul Barrere, Hoy Hoy is a bit scattered, a bit incoherent, a little bewildering, and wholly delightful – a perfect summation of a group filled with quirks, character, and funk, traits which were as much a blessing as they were a curse. Hoy Hoy is one of those rare albums that may be designed for diehards – who else really needs radio performances, early recordings from before the band was signed, and outtakes, especially if they're surrounded by early album tracks? – but still is a great introduction for novices. That doesn't mean it's as good as such masterpieces as Sailin' Shoes, Dixie Chicken, or Waiting for Columbus, but it does capture the group's careening, freewheeling spirit, humor, and musical versatility, arguably better than any single album.

In 2003, Mystic Records issued Just Popped Out/Redneck in Babylon, which contained two complete albums, Just Popped Out from 1980 and Redneck in Babylon from 1981, on a single compact disc.

Behemoth mastermind Adam “Nergal” Darski has signed a menacing pact with the devil once again, returning with dark folk/blues/Americana influenced solo project ME AND THAT MAN’s third full-length studio album, New Man, New Songs, Same Shit, Vol.2, on November 19, 2021 via Napalm Records. As a sequel to the project’s previous record, New Man, New Songs, Same Shit, Vol.1 (2020), the enthralling new offering follows the exciting path Nergal then set ablaze, once again featuring an abundance of heavy music icons – but this time, he takes it to a whole new level. Experience greats such as Gary Holt (Slayer, Exodus), Alissa White-Gluz (Arch Enemy), Randy Blythe (Lamb Of God), Myrkur, Devin Townsend, David Vincent, Doug Blair (W.A.S.P), Hank von Hell (Turbonegro) and Olve Abbath Eikemo (Immortal, Abbath) intertwining with the album’s bewitching collection of occult anthems, marking another breathtaking symbiosis of unfiltered blues, gothic-laced folk, country essence and touch of evil you’ll swear was either beamed straight out of hell or the most blackened of churches.