Praise 4 Joe: tribute to Joe Henderson. Luca Mannutza and Max Ionata retrace the musical story of the great American saxophonist, who died in 2001, in the dry form of the duo, through the famous compositions of Joe Henderson and the mature and personal interpretation of the two musicians. The dimension of the duo leads to reasoning on the structures of the pieces and on the absences: giving the right place to all the elements that make up the writing and the execution. Interpreting in duo the songbook of a composer, of an important musician, becomes a further challenge, in making ends meet the needs of a concert, a recording, a performance.
Giuseppe Martucci (1856-1909) stands as a prominent figure in Italian musical history, celebrated for his contributions as a composer, conductor, and pianist. Born in Capua, Italy, Martucci demonstrated remarkable musical talent from a young age. His early studies in Naples under Beniamino Cesi and Paolo Serrao paved the way for a career marked by innovation and artistic depth. Martucci's compositions reflect a synthesis of Romantic and classical influences, showcasing a deep understanding of form and harmony. His orchestral works, including symphonies, piano concertos, as well as his chamber music, reveal a mastery of orchestration and a commitment to exploring new expressive possibilities.
Composed in 1778, J.C. Bach's La Clemenza di Scipione is a nice, direct, fat-free work. The arias tend to be short (not one of them is a da capo), the recitatives are to the point and likewise brief, and the action moves swiftly. Roman Scipio (tenor) has taken Cartagena and Spanish soprano princess Arsinda (and her soprano pal, Idalba) prisoner. Male soprano, fellow non-Roman Lucieo, is betrothed to Arsinda, while the Roman general Marzio (tenor) is in love with Idalba and vice-versa. The whole plot revolves around the heroic Lucieo's attempts to rescue Arsinda, et al., his being taken prisoner, and his being threatened by death if he refuses to pledge allegiance to Rome.