Max Gazze' LA Matematica Dei Rami

Rokoko is Croatian counter tenor Max Emanuel Cencic's 2014 release on Decca, in which he explores the elaborate and emotionally stirring arias of Johann Adolf Hasse, one of the neglected masters of 18th century opera. These 11 vocal selections reflect the popular taste of the period, oriented as it was to the extraordinary abilities of the great castrati. Supported by George Petrou and the period instruments group Armonia Atenea, which plays with authentic rococo sonorities, rhythmic vigor, and precision, Cencic displays astonishing virtuosity and power in the arias taken from Hasse's long forgotten operas, Arminio, Il Siroe, Tito Vespasiano, L'Olimpiade, Ipermestra, Il Trionfo di Clelia, La Spartana Generosa, and Tigrane, as well as an aria from the oratorio, Il Cantico de’ Tre Fanciulli.

Virgin Classics invites you to enjoy the world premiere recording of Viviadi's Il Farnace in a version that Vivaldi prepared specially for the city of Ferrara in 1737-38 after its success in Venice. This is not only the first time the Ferrara version of Farnace has been recorded, but also the first time it has been heard, as the planned performances of 1738 were cancelled due to the local failure of the Vivaldi opera that preceded it, Siroe.

An heroic story, based on historical events occurring on the Germanic fringes of the Roman Empire, Arminio is now being revived in a new and ravishing production by Parnassus Arts under their artistic director Max Emanuel Cencic: a combination with an unequalled track record in Handelian opera seria, as witnessed by their multiple-award-winning staging and recording of Alessandro (from 2012 to date). Countertenor Max Emanuel Cencic takes the title role of Arminio, surrounded by a superb cast featuring Layla Claire (Tusnelda), Ruxandra Donose (Ramise), Vince Yi (Sigismondo), Juan Sancho (Varo), Xavier Sabata (Tullio) and Petros Magoulas (Segeste).

This live 3 CD set dramatically brings this rare opera to life, set in the 5th Century A.D, shortly before the fall of the West Roman Empire and certainly contains plenty of intrigue and drama. Although not as successful as Orfeo it contains many fine moments and this recording, in which Andreas Stoehr conducts a first rate cast, should introduce more opera listeners to this fine work.

The extraordinary series of 1998-2006 recordings of the nine published books of madrigals by Monteverdi, from Claudio Cavina and the Italian ensemble La Venexiana, is now available in limited-time and limited-number boxed set form from Glossa. This multi-award-winning cycle set new standards in textual declamation, rhetorical color and harmonic refinement. Also included is the Live in Corsica album of Monteverdi madrigals (2002) and a newly-written essay by original series essayist Stefano Russomanno of which all, along with full texts and translations in PDF form, are also included.

"La Biblia" is the second and most popular album of Argentine rock band Vox Dei, originally issued in 1971 as a double vinyl LP by Disc Jockey, a small local company that boasted the slogan "the young label". This is a conceptual album (also deemed a rock opera) where the biblical theme is developed, from Genesis (Génesis) to Revelation (Apocalipsis), with inspired songwriting, and a mixture of blues rock and hard rock a la Led Zeppelin with beautiful acoustic sequences, also including some jam band excursions (Las guerras), and poems penned by guitarist Ricardo Soulé, often inspired by the book itself. In spite of its technical defects and dated sound, "La Biblia" is yet an excellent rock album, and the quality of the music contained is above average, making up an imperfect, pretentious, little masterpiece.

Sotto il segno dei pesci is a 1978 music album by Antonello Venditti. The title track of the album, "Sotto il segno dei pesci", peaked at number-one on the Italian charts.

Sotto il segno dei pesci is a 1978 music album by Antonello Venditti. The title track of the album, "Sotto il segno dei pesci", peaked at number-one on the Italian charts.