Methexis Potential Deltas

Surf Fiction album was released Jul 12, 2001 on the ZYX label. It's that time of year again: boards, bikinis and beach parties! No party would be complete without The Beach Boys, Dick Dale & His Del-Tones, The Surfaris and more!! Includes the 'Pulp Fiction' hits 'Miserlou' and 'Bustin Surfboards.

VA - This Is Psychobilly: 25 Years of Rockin' and Wreckin' (3CD Box Set, 2009)
EAC | FLAC+CUE+LOG > 1,5 GB | 208:50 mins | Covers included | MP3 CBR 320 Kbps > 488 MB

Three CD collection of seminal tracks from the Psychobilly genre spanning three decades of Psychobilly. This triple disc box set includes many 'household names' from the Psycho scene including The Meteors, The Krewmen, Guana Batz, Demented Are Go, Batmobile, and many others… You will not be disappointed. Anagram Records, 2009.

No pop genre has defined what a summer night can be as much as doo wop, with its countless songs about the moon and the stars and the light they cast on the possibilities of romance, and no pop genre has ever had more earthly angels residing per square foot. This four-disc, 100-song collection of doo wop vocal groups has numerous examples of both, along with seemingly a song for every girl's name ever invented.

Digitally remastered and expanded edition. An 'Even Bloodier Edition' of the legendary psychobilly album Blood On The Cats which was originally issued in 1983 on Cherry Red's Anagram label. Featuring the original album which successfully combined music from UK psychobilly scene leaders The Meteors, The Sting-Rays and The Guana Batz, US pioneers Panther Burns, Irish punks The Outcasts, gothabilly rockers Alien Sex Fiend and even horror rocker Screaming Lord Sutch to create a suitably psychotic blend. Psychobilly was one of the biggest youth cults of the 1980s, remembered for the followers' gravity-defying quiffs and aggressive "wrecking" dance. The music became an adrenalized mix of rockabilly and punk featuring lyrics often inspired by horror and science fiction films. 'Blood On The Cats' was the first compilation to try to define psychobilly and many fans' first exposure to a genre that, at that stage, was still unformed, being part of a worldwide movement inspired by punk but devoted to primitive rock 'n' roll of the 1950s and 1960s.

No pop genre has defined what a summer night can be as much as doo wop, with its countless songs about the moon and the stars and the light they cast on the possibilities of romance, and no pop genre has ever had more earthly angels residing per square foot. This 6 volume, 24 disc, 600-song collection of doo wop vocal groups has numerous examples of both, along with seemingly a song for every girl's name ever invented.

The city of Belém, in the Northern state of Pará in Brazil, has long been a hotbed of culture and musical innovation. Enveloped by the mystical wonder of the Amazonian forest and overlooking the vastness of the Atlantic Ocean, Belém consists of a diverse culture as vibrant and broad as the Amazon itself. Amerindians, Europeans, Africans - and the myriad combinations between these people - would mingle, and ingeniously pioneer musical genres such as Carimbó, Samba-De-Cacete, Siriá, Bois-Bumbás and bambiá. Although left in the margins of history, these exotic and mysteriously different sounds would thrive in a parallel universe of their own.

Various Artists - The Gone Story (1999) {2CD Set, Westside Records WESD206 rec 1957-1964}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 796 Mb | MP3 @320 -> 371 Mb
Full Artwork @ 300 dpi (jpg) -> 23 Mb | 5% repair rar
© 1957-64, 1999 Gone Recordings / Westside Records | WESD 206
Rhythm & Blues / Doo Wop / Oldies / Blues / Soul / Rock 'n' Roll

George Goldner Presents The Gone Story: Doo-Wop to Soul 1957-1963 contains 65 songs representing a dead-perfect cross-section of the singles output of one of New York's great R&B labels of the late 1950s and early 1960s. The opening cut, the Dubs' slow, romantic "Don't Ask Me (To Be Lonely)," shows just how far George Goldner's conception of rhythm & blues had come in the four years since he'd founded Rama Records in 1953. Gone Records, starting in 1957, featured a more sophisticated output, oriented toward elegant, impassioned ballads rather than the dance numbers that had gone over so big in the mid-'50s.