For Monk fans, these Mo-Fis are must-haves. Wow! After releasing so many mediocre rock albums, Mobile Fidelity came through with not one but TWO shiny gold CDs by the enigmatic, lovable Thelonious Monk (accompanied in these live recordings by Charlie Rouse on sax, John Ore on bass, and Frank Dunlop on drums)….
The second volume of Thelonious Monk's appearance at the 1963 Monterey Jazz Festival is drawn from two separate concerts on back to back days, with the pianist joined by longtime tenor saxophonist Charlie Rouse, bassist John Ore and drummer Frank Dunlop…
Monk's Dream is the Columbia Records debut release featuring the Thelonious Monk Quartet: Monk (piano), Charlie Rouse (tenor sax), John Ore (bass), and Frankie Dunlop (drums). Jazz scholars and enthusiasts alike also heralded this combo as the best Monk had been involved with for several years. Although he would perform and record supported by various other musicians, the tight - almost telepathic - dimensions that these four shared has rarely been equalled in any genre. By the early '60s, bop had become considered passé by artists as well as fans looking for the next musical trend. This is coupled with the fact that discerning Monk fans would have undoubtedly recognized many of these titles from several live recordings issued at the end of his tenure on Riverside…
Legendary vibraphonist Milt Jackson needed only three sessions to record the gem that is 1963’s Invitation, an album on which the longtime Modern Jazz Quartet member paired the enviable cast of trumpeter Kenny Dorham, tenor saxophonist Jimmy Heath, pianist Tommy Flanagan, bassist Ron Carter, and drummer Connie Kay. No, you don’t need to be a jazz aficionado to recognize those musicians. Household names all, they and Jackson deliver in spades, performing a satisfyingly diverse set that spans Hollywood film scores, Broadway showtunes, and jazz standards.
Whether on the gently swaying title track, Thelonious Monk’s contemplative “Ruby, My Dear,” or swinging “The Sealer,” you are transported to a universe of mellow moods and playful optimism…
Miles Davis created just one studio album with his original sextet. He made every moment count. Pairing with Cannonball Adderley, John Coltrane, Red Garland, Paul Chambers, and Philly Joe Jones, the trumpeter not only laid the groundwork for the modalism that immediately followed but tailored a genuine modern-jazz masterwork laden with performances among the most explosive of his distinguished career. Due to its sandwiched position between the more famous ‘Round About Midnight and epochal Kind of Blue, Milestones remains, for too many music lovers, an overlooked classic.
Milestones has been restored to mono for the first time as to expose the record’s standing as one of the all-time great jazz efforts…
Although chronologically the last to be issued, this collection includes some of the best performances from the tapes which would produce the albums Cookin', Relaxin', Workin', and ultimately, Steamin'. A primary consideration of these fruitful sessions is the caliber of musicians – Miles Davis (trumpet), Red Garland (piano), John Coltrane (tenor sax), and Philly Joe Jones (drums) – who were basically doing their stage act in the studio…