Jump on It is the fourth album by the California-based hard rock band Montrose. It is the second Montrose album to feature singer Bob James and keyboardist Jim Alcivar, and features bassist Randy Jo Hobbs on three songs…
The sound of Rock Candy Funk Party is as celebratory as the band name suggests. Spinning a fresh take on classic ’70s and ’80s funk and jazz, RCFP is powered by a lineup of world-class players collaborating for the sheer joy of making music, and a mutual love of genre-blurring grooves. A jazz-funk fusion revival supergroup, Rock Candy Funk Party grew out of an instrumental album recorded by drummer and producer Tal Bergman and guitarist Ron DeJesus in 2007 called Grooove, Vol. 1.
UK-only five CD box set containing a quintet of albums from the Hard Rock band housed in mini-LP sleeves. Includes the albums Montrose (1973), Paper Money (1974), Warner Brothers Presents (1975), Jump on It (1976) and Open Fire (1978)…
Forty classic Australian chart hits of the 1970s with many tracks seeing the light of day for the first time in many years. From the blockbuster national hits to the hits unique to just one or two regions, this release features the big hits from Dragon, Jon English and Sherbet to Brisbane's Moonlight and Adelaide's Musick Express. Also present is Digby Richards, Chain, Ross Wilson, Max Merritt & The Meteors and The Seekers 1970s comeback hit to rare gems from Rumour and Tony Cole.
Killer new solo studio disc by long-standing guitar rock riffmaster Mike Onesko, the leader & frontman of the mighty Blindside Blues Band. Includes 10 tracks of awesome, powerful, hard-hitting, hi-energy, blues-based, retro-70s, heavy guitar rock riffage/mojo that is all about the R.O.C.K. and destroys everything in it's path. A full frontal heavy guitar rock assault that is on a Mission to Keep the Rock alive. From the intense, powerful opening heavy rocker The Destroyer to the dynamic thought provoking final track Child Of The Sky (an excellent musical tribute that is dedicated to the late, great Ronnie Montrose), every track hits hard with kick ass, brain-damaging, face-melting, storm troopin', six string weapons of mass destruction.
Borrowing heavily from Marc Bolan's glam rock and the future shock of A Clockwork Orange, David Bowie reached back to the heavy rock of The Man Who Sold the World for The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Constructed as a loose concept album about an androgynous alien rock star named Ziggy Stardust, the story falls apart quickly, yet Bowie's fractured, paranoid lyrics are evocative of a decadent, decaying future, and the music echoes an apocalyptic, nuclear dread.