Movi̇es İzle

I Fagiolini explore the dazzling multi-choir soundworld of Orazio Benevoli - a crucial figure in 17th-century Italian music. As maestro of the papal choir and providing four-choir masses for special occasions, Benevoli invigorated the multi-choir style with vocal lines full of cross-rhythms, and voluptuous tutti sections with unexpected dissonances. Despite its beauty and historical importance, there have been few attempts to record Benevoli's music. His Missa Tu es Petrus - recorded here for the first time - was based on Palestrina's famous motet and perhaps written for the newly finished basilica of St Peter in Rome. It appears here alongside four delightful solo-voice motets by his contemporary Bonifazio Graziani, each of them premiere recordings.

I Fagiolini explore the dazzling multi-choir soundworld of Orazio Benevoli - a crucial figure in 17th-century Italian music. As maestro of the papal choir and providing four-choir masses for special occasions, Benevoli invigorated the multi-choir style with vocal lines full of cross-rhythms, and voluptuous tutti sections with unexpected dissonances. Despite its beauty and historical importance, there have been few attempts to record Benevoli's music. His Missa Tu es Petrus - recorded here for the first time - was based on Palestrina's famous motet and perhaps written for the newly finished basilica of St Peter in Rome. It appears here alongside four delightful solo-voice motets by his contemporary Bonifazio Graziani, each of them premiere recordings.

Jean Mouton was a Renaissance French composer and choirmaster, much acknowledged but more rarely recorded, who wrote a body of music that’s both technically inventive and immediately appealing. Here Stephen Rice and The Brabant Ensemble—renowned exponents of sixteenth-century Franco-Flemish repertoire—perform all Mouton’s eight-part music, two four-part motets, and his only five-part Mass setting, the Missa Tu es Petrus. The latter is characterized by light, clear textures and a soaring cantus firmus, while the double-choir Nesciens mater is rightly famous for its ingenious canon. Sheer compositional skill aside, all these works demonstrate Mouton’s vivid and original imagination—one that has the ability to speak directly to our time.