On their impressive 1971 debut, France's Moving Gelatine Plates create a unique brand of jazz-influenced progressive rock. Parts of the album are reminiscent of the music recorded by groups from England's Canterbury scene (e.g., Soft Machine), but the Moving Gelatine Plates' driving rhythms and catchy thematic shifts set the band apart from their English counterparts. Drummer Gerard Pons pulls the listener along at a frantic pace on tracks like "Gelatine" and "Last Song." With help from the growling distortion provided by guitarist Gerard Bertram, Pons keeps the album firmly grounded in rock. Maurice Helmlinger's jazzy horn work and Didier Thibault's hopping basslines provide a striking contrast to these rock underpinnings…
The original 12-song LP has been expanded to 20 tracks for this CD. The original material comprised a very pleasant and diverting psychedelic pop release, strongly reminiscent at times of the early Bee Gees from Horizontal, interspersed with some heavier-sounding tracks that were closer to the World of Oz's actual sound on-stage. The bonus cuts are single edits and mixes of tracks that were already represented on the album, so there's nothing new to hear except for a punchier, more compressed sound on some of the better songs. The sound quality is most impressive, however, and given the sheer rarity of the original LP, the chances of anyone having the latter already lying around to be heard are next to non-existent - so this CD ends up being essential listening for almost anyone fascinated by the commercial side of British psychedelia.
The original 12-song LP has been expanded to 20 tracks for this CD. The original material comprised a very pleasant and diverting psychedelic pop release, strongly reminiscent at times of the early Bee Gees from Horizontal, interspersed with some heavier-sounding tracks that were closer to the World of Oz's actual sound on-stage. The bonus cuts are single edits and mixes of tracks that were already represented on the album, so there's nothing new to hear except for a punchier, more compressed sound on some of the better songs. The sound quality is most impressive, however, and given the sheer rarity of the original LP, the chances of anyone having the latter already lying around to be heard are next to non-existent - so this CD ends up being essential listening for almost anyone fascinated by the commercial side of British psychedelia.
In 2018, the glamourous film music gala “Hollywood in Vienna” at the Wiener Konzerthaus has been dedicated to Academy Award winner Hans Zimmer. His greatest hits from more than 30 successful years of film score composing are brought to life by the ORF Vienna Radio Symphony Orchestra and a wide range of soloists from all over the world! Featuring music from “INCEPTION”, “ THE DARK KNIGHT”, “GLADIATOR”, “THE LION KING” and many more.
Get to hear Hans Zimmer s greatest hits as you ve never heard them before! Sony Classical releases the double-album The World of Hans Zimmer A Symphonic Celebration in spring 2019. The album features the music from the Zimmer-curated World of Hans Zimmer international concert tour by Semmel Concerts. For The World of Hans Zimmer A Symphonic Celebration Hans Zimmer has newly arranged his greatest hits and made them into electrifying concert suites for orchestra, choir and an impressive list of soloists. Each concert suite features the most recognisable parts and melodies of a film score in the cohesive form of a new symphonic work. The album features such legendary scores as The Dark Knight, The Da Vinci Code, Lion King, Pirates of the Caribbean and M:i-2 Mission: Impossible 2.