Mr.rain Due Altalene

Chely Wright, who has been largely out of the music spotlight for the past five years, will release her first new album since 2010. I Am the Rain, due September 9th on MRI/Sony, is the follow-up to Lifted Off the Ground, the LP she released in conjunction with her memoir Like Me, which detailed her struggles as a closeted lesbian in the country-music industry. The new album was recorded with Grammy-winning producer Joe Henry last fall at the iconic Sunset Sound studio in Los Angeles. It features guest appearances from Emmylou Harris, Milk Carton Kids, and the producer of Wright's previous album, Rodney Crowell, who co-wrote "At the Heart of Me" with Wright and Henry.

Sometimes referred to as "VU 2", ANOTHER VIEW is a second collection of previously unreleased Velvet Underground recordings.
ANOTHER VIEW works as that one final glimpse at the Velvet Underground– another insight into the various aspects that made the band great, and another pang of regret that they were never given their due in their time…

Jimmy Reed - Mr. Luck: The Complete Vee-Jay Singles (2017) {3CD Set, Craft Recordings CR00006 rec 1953-1965}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 0.98 Gb | MP3 @320 -> 523 Mb
Full Artwork @ 300 dpi (png) -> 131 Mb | 5% repair rar
© 1953-65, 2017 Vee-Jay / Craft Recordings / Concord / Universal | CR00006
Blues / Rhythm and Blues / Chicago Blues / Electric Blues

Jimmy Reed signed with Chicago's Vee-Jay Records in 1953 and he stayed with the label for nearly a dozen years, during a decade where blues had its last great run as a hit singles medium. Reed was partially responsible for the golden age of blues hits on the R&B charts in the '50s, racking up nine Billboard R&B Top 10 singles between 1955 and 1961. All the hits, along with their flipsides – and, sometimes, the spoken introduction not released on a 45 – are here on this magnificent triple-disc set from Craft Recordings.

This British Sunray Label pressing has THE BEST SOUND I'VE EVER HEARD FOR THIS ALBUM! None of the Pink Label originals that we played had the deep, powerful, punchy bass that this pressing has, coupled with an extended, sweet top end. This is one of the best sounding Traffic records ever made. It's a wonderful example of late '60s British psychedelic rock. Better records.