Macuser 06 July 2012 (true Pdf)

A blip in the Byrds' discography that could easily be missed, as all of the songs from these pre-Mr. Tambourine Man sessions are also found on the much more widely available In the Beginning. Byrds fans really need to track this down, though, because six of the 11 cuts are actually entirely different versions than the ones that appear on In the Beginning, and in some cases the differences are substantial…

On her 19th album, Cassandra Wilson, ever the musical chameleon, changes directions once more. She is arguably the greatest living female jazz singer. Well known for her blues, soul, pop covers, and jazz standards, her smoky alto bends almost everything to its will. Wilson's phrasing is utterly unique, as original as any horn player's or pianist's music. Another Country, co-produced by Wilson and guitarist Fabrizio Sotti, was recorded in three different studios in Florence, New Orleans, and New York. She wrote all but three selections here: there are two instrumentals by Sotti and a reading of "O Sole Mio." Other players include bassist Nicola Sorato, Julien Labro on accordion, and percussionists Mino Cinelu and Lekan Babalola…

WhoCares, full title Ian Gillan & Tony Iommi: WhoCares is a music project by Deep Purple frontman Ian Gillan and Black Sabbath guitarist Tony Iommi and a charity release by the supergroup WhoCares they had formed with the help of other musicians, to raise money to rebuild a music school in Gyumri, Armenia after the destruction of the city in the 1988 earthquake in Armenia. In addition to Ian Gillan and Tony Iommi (who were Black Sabbath bandmates from 1983-1984), many artists took part in the charity music project including Jon Lord (Ian Gillan's then-Deep Purple bandmate), ex-Metallica bassist Jason Newsted, Iron Maiden drummer Nicko McBrain, and HIM guitarist Mikko "Linde" Lindström.

Swedish band Änglagård is part of a whole breed of young progressive rockers who have cut their teeth on King Crimson's Red. Like the other Crimson Swedes, Anekdoten, Änglagård crams angular hooks and start/stop tempos into every moment they can spare. Writing lengthy symphonic pieces, the band sound like many big '70s acts but always play with a very tough sound. Meaty bass and scorched guitar tones duel it out with organ, mellotron, and hyperactive drumming, while folky Swedish singing and flute occasionally break the tension.

Having traveled the dusty road previously with alt rock singer Mark Lanegan, U.K. production duo Soulsavers turn to the equally tortured soul Dave Gahan (Depeche Mode) on The Light the Dead See, but this European union still opens their album with a mournful harmonica. Of course, Soulsavers have long been the production duo who prefers the sounds of spaghetti westerns to synthesizers, while making their guests sound as grand and grave as Leonard Cohen lost in the high lonesome, so this Depeche in exile is a perfect fit. Brooding across canyons here, Gahan is somewhere between James Dean and a preacher in this atmosphere, and even if his talk of darkness, the Devil, saviors, and the price you pay has all been covered with the Mode, he still sounds renewed, making sliding the downward spiral sound as intoxicating as ever, even when he explains what waits for those who hit the bottom…

WhoCares, full title Ian Gillan & Tony Iommi: WhoCares is a music project by Deep Purple frontman Ian Gillan and Black Sabbath guitarist Tony Iommi and a charity release by the supergroup WhoCares they had formed with the help of other musicians, to raise money to rebuild a music school in Gyumri, Armenia after the destruction of the city in the 1988 earthquake in Armenia. In addition to Ian Gillan and Tony Iommi (who were Black Sabbath bandmates from 1983-1984), many artists took part in the charity music project including Jon Lord (Ian Gillan's then-Deep Purple bandmate), ex-Metallica bassist Jason Newsted, Iron Maiden drummer Nicko McBrain, and HIM guitarist Mikko "Linde" Lindström.

Polish composer/multi-instrumentalist/vocalist Rafał Żak is an amazing artist, and his one-man project, Ordinary Brainwash, is pretty fascinating. On his third LP, Me 2.0, he blends industrial progressive rock with exceptional songwriting and affective arrangements to create a stellar package. Really, his compositions feel more impassioned and intriguing that a lot of new music written by full bands. The follow-up to his debut, Disorder in my Head, and sophomore release, Labeled Out Loud, Me 2.0 continues to house his accessible blend of "beautiful melodies, original lyrics and startling compositions." Truthfully, there's a lot of Riverside and Lunatic Soul (two other Polish outfits) here, so it goes without saying that the mastermind behind those groups, Mariusz Duda, is likely a strong influence here…