Made in Heaven is the fifteenth and final studio album by the British rock band Queen, released on 6 November 1995 by Parlophone Records in the United Kingdom and by Hollywood Records in the United States. It was the band's first release after the death of lead singer Freddie Mercury in 1991. Following Mercury's death, guitarist Brian May, drummer Roger Taylor, and bass guitarist John Deacon worked with vocal and piano parts that Mercury recorded before his death, adding new instrumentation to the recordings. Both stages of recording, before and after Mercury's death, were completed at the band's studio in Montreux, Switzerland. The album debuted at number 1 in the UK where it went 5× platinum. The album became the band's best-selling studio album, selling over 19 million copies around the world.
Queen had long been one of the biggest bands in the world by 1980's The Game, but this album was the first time they made a glossy, unabashed pop album, one that was designed to sound exactly like its time. They might be posed in leather jackets on the cover, but they hardly sound tough or menacing – they rarely rock, at least not in the gonzo fashion that's long been their trademark…
Sold upon its November 2014 release as a compilation containing some unearthed, even "forgotten," material, Queen Forever doesn't contain much new in either its standard or deluxe versions. Just three songs, actually: a finished version of the Works outtake "Let Me in Your Heart Again," a reworked version of Freddie Mercury's solo "Love Kills" from the soundtrack to Giorgio Moroder's Metropolis, and a completed version of "There Must Be More to Life Than This," a Freddie duet with Michael Jackson from the early '80s…
Queen had long been one of the biggest bands in the world by 1980's The Game, but this album was the first time they made a glossy, unabashed pop album, one that was designed to sound exactly like its time…
Queen had long been one of the biggest bands in the world by 1980's The Game, but this album was the first time they made a glossy, unabashed pop album, one that was designed to sound exactly like its time. They might be posed in leather jackets on the cover, but they hardly sound tough or menacing – they rarely rock, at least not in the gonzo fashion that's long been their trademark…
By the release of 1986's A Kind of Magic, Queen's stature as a prominent rock band in the U.S. had slipped considerably, while in all other parts of the world (especially Europe), they remained superstar hitmakers…
Recorded during the band's foray into what was referred to as "the happiest barrack," Queen brings rock to the Eastern Bloc on their live album/concert film Hungarian Rhapsody: Live in Budapest. Though the set they rip through is more or less the same as the one captured on the legendary band's Live at Wembley '86 album, the historical significance of the performance makes it an event worth documenting. Performed in Budapest in 1986, the show feels like a portent of things to come for Eastern Europe…
By the release of 1986's A Kind of Magic, Queen's stature as a prominent rock band in the U.S. had slipped considerably, while in all other parts of the world (especially Europe), they remained superstar hitmakers…
The Works is the eleventh studio album by the British rock band Queen, released on 27 February 1984 by EMI Records in the United Kingdom and by Capitol Records in the United States. After the synth-heavy Hot Space (1982), the album saw the re-emergence of Brian May and Roger Taylor's rock sound, while still incorporating the early 80s retro futuristic electronic music (Freddie Mercury) and New York funk scenes (John Deacon).