Madonna Immaculete

Very rare UK limited edition 4CD box set (1000 copies). Four 24KT Gold Plated CD Albums with unique picture covers. Computer Enhanced/Digitally Remastered. Housed in 12" Square Gold Tin Box with 'MADONNA' (Like a prayer Logo) Embossed on the Front.

Madonna is the first and only recording artist to have 50 number 1 hits on any single Billboard chart. To celebrate this historic milestone, Madonna has curated a new collection titled Finally Enough Love which includes her favourite remixes of those chart-topping dance hits that have filled clubs worldwide for four decades.

Given the cold shoulder Madonna's 2003 album American Life received by critics and audiences alike – it may have gone platinum, but apart from the Bond theme “Die Another Day,” released in advance of the album, it generated no new Top Ten singles (in fact, its title track barely cracked the Top 40) – it's hard not to read its 2005 follow-up, Confessions on a Dance Floor, as a back-to-basics move of sorts: after a stumble, she's returning to her roots, namely the discos and clubs where she launched her career in the early '80s…

The Confessions Tour is the second live album by American singer and songwriter Madonna. It was released on January 26, 2007 by Warner Bros. Records. Directed by Jonas Åkerlund, the album chronicles Madonna's 2006 Confessions Tour and includes the full version of the television broadcast special The Confessions Tour: Live from London. It was recorded at Wembley Arena during the London dates of the tour, and was released in both CD and DVD format…

Madonna's Ciao Italia: Live From Italy captures a performance from her 1988 world tour and features hits like "Lucky Star," "True Blue," "La Isla Bonita," "Like a Virgin," and "Material Girl." A much simpler, less choreographed performance than her later extravaganzas like The Girlie Show, Ciao Italia is still entertaining in its own right, and will definitely please fans nostalgic for some old-school Madonna hits.

True Blue is the album where Madonna truly became Madonna the Superstar – the endlessly ambitious, fearlessly provocative entertainer who knew how to outrage, spark debates, get good reviews – and make good music while she's at it. To complain that True Blue is calculated is to not get Madonna – that's a large part of what she does, and she is exceptional at it, but she also makes fine music. What's brilliant about True Blue is that she does both here, using the music to hook in critics just as she's baiting a mass audience with such masterstrokes as "Papa Don't Preach," where she defiantly states she's keeping her baby.