Maia Dyan

On An Overgrown Path, Leoš Janáček’s 15 pieces-spanning piano cycle, is here presented in a reshaped guise, arranged for string orchestra and interpreted by the Camerata Zürich under lead violinist Igor Karsko’s direction. This is the premiere recording of the orchestral adaption. In this programme, Janáček’s cycle is bookended by Josef Suk’s Meditation on the Old Czech Chorale St. Wenceslas and Antonín Dvořák’s Notturno – pieces that are thematically connected to the folkloric elements found in Janáček’s composition. French writer Maïa Brami wrote poems to accompany the new arrangement of On An Overgrown Path, and their recorded versions, spoken by the writer herself, are included on the album, contextualizing the cycle with inventive analogies to Janáček’s life.

Johnny Dyan, Okay Temiz, Mongezi Feza - Music for Xaba (1973) {Sonet SNTF642}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 276 Mb | MP3 @320 -> 102 Mb
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© 1972, 1999 Sonet Productions | SNTF 642
Jazz / African Jazz / Avant-Garde Jazz / Experimental / Organic Jazz / Ethnic Jazz / Spiritual Jazz

"As one might expect from a group incorporating Dyani, this is not a conventional Jazz piece." "The man of star-cut and long thoughtful solos." "Traditional South African songs being ostensibly, reflects on the Khosa tribal heritage of Dyani." -Steve Lake (Melody Maker, 1972)

Tim Maia's comeback album after amazing experiments of Racional, the only flaw of this set of 11 focused songs is that some of them fade out much sooner than we would like! The song Rodésia here was a hit, and the English-language "Nobody Can Live For Ever" also provided the title for the Luaka Bop compilation of Tim's material.

Tim Maia, born Sebastião Rodrigues Maia in Rio de Janeiro city, was a Brazilian musician, songwriter and businessman known for his iconoclastic, ironic, outspoken, and humorous musical style. Maia contributed to Brazilian music within a wide variety of musical genres, including soul, funk, bossa nova, disco, romantic ballads, pop, rock, jazz, baião and MPB. He introduced the soul style on the Brazilian musical scene. Tim Maia is internationally recognised as one of the biggest icons of the Brazilian music.

According to Nelson Motta's biography of Tim Maia, "Vale Tudo," this record had a working title of "Verão Carioca" and marks the period where Tim began imbibing large quantities of coke. Whatever, Motta's book is in fact poorly written, lacking any kind of sources, or even a comprehensive discography (or a partial one, for that matter). But Motta was a personal friend, so we have to take his word. What is for certain is that this is the record where disco begins to be felt in his music in a positive way. Rug burners like "Feito Pra Dançar" nestle alongside low-down heavy funk like "E Necessario." Another highlight is "Não Esquente a Cabeça" which has memorable hooks and melodies, and tasty electric piano and guitar work over a smokey post-bossa pan-latin groove.