Major Labels A History of Popular Music in Seven Genres

Major Labels: A History of Popular Music in Seven Genres  eBooks & eLearning

Posted by tarantoga at Oct. 5, 2021
Major Labels: A History of Popular Music in Seven Genres

Kelefa Sanneh, "Major Labels: A History of Popular Music in Seven Genres"
English | ISBN: 0525559590 | 2021 | EPUB | 496 pages | 2 MB

Major Labels: A History of Popular Music in Seven Genres [Audiobook]  Audiobooks

Posted by tarantoga at Oct. 5, 2021
Major Labels: A History of Popular Music in Seven Genres [Audiobook]

Kelefa Sanneh (Author, Narrator), "Major Labels: A History of Popular Music in Seven Genres"
English | ASIN: B08VQP2BDT | 2021 | MP3@64 kbps | ~18:59:00 | 538 MB
Various Artists - Let the Electric Children Play: The Underground Story of Transatlantic Records 1968 - 1976 (2017) {3CD Set}

Various Artists - Let the Electric Children Play: The Underground Story of Transatlantic Records 1968 - 1976 (2017) {3CD Set}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.45 Gb | MP3 @320 -> 540 Mb
Full Artwork @ 300 dpi (jpg) -> 33 Mb | 5% repair rar
© 1968-76, 2017 Transatlantic Records / Esoteric Recordings / Cherry Red Records | ECLEC 32600
Rock / Progressive Rock / Folk Rock / Underground Rock / Psychedelic

Esoteric Recordings are proud to announce the release of a new deluxe 3CD which tells the story of the so- called “underground” era of one of Britain’s great independent record labels of the 1960s & 1970s, Transatlantic Records. In the heady atmosphere of the late 1960s, the sea change in British popular music spearheaded by the Beatles experimentation on the Sergeant Pepper album and swiftly followed by the likes of Cream, Pink Floyd, Traffic, Family, Procol Harum, Jethro Tull and a host of groups and musicians who followed in their footsteps led to the album being seen as the medium in which “serious” musicians would explore and develop their craft. The apparently disparate genres of blues, jazz, rock, folk and even world music were fused together by many diverse acts all of whom were eager to be regarded as “progressive” in their musical approach. The so-called “underground” audience eagerly consumed this music, which sat alongside the social changes that were also taking place.