Making The Grade (1984) Dorian Walker, Judd Nelson, Jonna Lee, Gordon Jump

"Delightfulee" features Lee Morgan performing both with a quintet and a big band, with arrangements by Oliver Nelson. Recorded on April 8 & May 27, 1966. The album was produced by Alfred Lion.

It is amazing how polarizing (for listeners) Bill Laswell's Material side projects can be. They are either fresh and inventive or stale and uninspired. Unfortunately, Nona Hendryx's 1984 Material-produced album "The Art of Defense" falls into the latter category another case of some very talented folks making a very bland record. Nona and the Material crew are obviously capable of great things, but despite the formidable pedigree of the artists involved, "The Art of Defense" falls short of expectations.

As a songwriter and performer, Willie Nelson has played a vital role in post-rock & roll country music. Although he didn't become a star until the mid-'70s, he spent the 1960s writing songs that became hits for stars like Ray Price ("Night Life"), Patsy Cline ("Crazy"), Faron Young ("Hello Walls"), and Billy Walker ("Funny How Time Slips Away"), as well as releasing a series of records on Liberty and RCA that earned him a small but devoted cult following. During the early '70s, Willie abandoned Nashville for his native Texas, setting up shop with the redneck hippies in Austin and taking control of his music on the landmark Shotgun Willie (1973) and Phases & Stages (1974). Nelson found a kindred spirit in Waylon Jennings and, together, they spearheaded the outlaw country movement that finally made him a star by 1975. Following the crossover success of that year's Red Headed Stranger and "Blue Eyes Crying in the Rain," Nelson became a genuine success, as recognizable in pop circles as he was to country audiences; in addition to recording, he also launched an acting career in the early '80s.

As a songwriter and performer, Willie Nelson played a vital role in post-rock & roll country music. Although he didn't become a star until the mid-'70s, Nelson spent the '60s writing songs that became hits for stars like Ray Price ("Night Life"), Patsy Cline ("Crazy"), Faron Young ("Hello Walls"), and Billy Walker ("Funny How Time Slips Away"), as well as releasing a series of records on Liberty and RCA that earned him a small but devoted cult following.

Nelson was a child prodigy, born into a showbiz family, his father Ozzie was a bandleader and his mother Harriet was the singer. They had their own radio show & subsequent TV show, The Adventures Of Ozzie & Harriet, in which Nelson featured with his brother David. Nelson appeared in his first film aged 7.A 'Teenage Idol' of the late 1950s and early 1960s, Nelson gained 9 gold records by the age of 21 in 1961. His single, 'Travelin' Man', was a huge #1 hit that year, selling over 2 million copies. The flip-side 'Hello, Mary Lou' went on to be his biggest hit ever, reaching #1 in 32 countries.

Nelson was a child prodigy, born into a showbiz family, his father Ozzie was a bandleader and his mother Harriet was the singer. They had their own radio show & subsequent TV show, The Adventures Of Ozzie & Harriet, in which Nelson featured with his brother David. Nelson appeared in his first film aged 7.

Nelson was a child prodigy, born into a showbiz family, his father Ozzie was a bandleader and his mother Harriet was the singer. They had their own radio show & subsequent TV show, The Adventures Of Ozzie & Harriet, in which Nelson featured with his brother David. Nelson appeared in his first film aged 7.A 'Teenage Idol' of the late 1950s and early 1960s, Nelson gained 9 gold records by the age of 21 in 1961. His single, 'Travelin' Man', was a huge #1 hit that year, selling over 2 million copies. The flip-side 'Hello, Mary Lou' went on to be his biggest hit ever, reaching #1 in 32 countries.

"Love Language" was the eighth album by R&B/Soul crooner Teddy Pendergrass. It was his first record for Asylum Records after being a longtime artist on Philadelphia International Records. It did much better on the Billboard 200 than his last two records, peaking at #38. He had not reached the top 40 on the album charts since 1981's It's Time for Love. The album was composed and produced by Michael Masser, with the exception of the track You're My Choice Tonight (Choose Me) (#15 R&B chart, November 3, 1984), which was produced by Luther Vandross and featured Cissy Houston on background vocals and as "Solo Female Voice".