Making The Grade (1984) Dorian Walker, Judd Nelson, Jonna Lee, Gordon Jump

The Works is the eleventh studio album by the British rock band Queen, released on 27 February 1984 by EMI Records in the United Kingdom and by Capitol Records in the United States. After the synth-heavy Hot Space (1982), the album saw the re-emergence of Brian May and Roger Taylor's rock sound, while still incorporating the early 80s retro futuristic electronic music (Freddie Mercury) and New York funk scenes (John Deacon). Recorded at the Record Plant Studios in Los Angeles, California and Musicland Studios in Munich, Germany from August 1983 to January 1984, the album's title comes from a comment Taylor made as recording began – "Let's give them the works!" During the decade, after a conservative reaction against and ban of the music video for "I Want to Break Free" in the United States, the band decided not to tour in North America and lost the top spot in U.S. sales, but sales around the world (especially Europe) would be even better. The Works has sold over 5 million copies worldwide.

The Works is the eleventh studio album by the British rock band Queen, released on 27 February 1984 by EMI Records in the United Kingdom and by Capitol Records in the United States. After the synth-heavy Hot Space (1982), the album saw the re-emergence of Brian May and Roger Taylor's rock sound, while still incorporating the early 80s retro futuristic electronic music (Freddie Mercury) and New York funk scenes (John Deacon). Recorded at the Record Plant Studios in Los Angeles, California and Musicland Studios in Munich, Germany from August 1983 to January 1984, the album's title comes from a comment Taylor made as recording began – "Let's give them the works!"

Orion the Hunter was a 1980s rock combo and offshoot of the popular band Boston. It featured former Boston members Barry Goudreau on guitars and Brad Delp on backing vocals, as well as future Boston lead vocalist Fran Cosmo. The band was originally known as simply "Orion", but the name was changed to "Orion the Hunter" in deference to pressure from Orion Pictures. The group's self-titled album in 1984 on Portrait/CBS Records, which yielded a hit single "So You Ran," featured the sky-high vocals which prompted Cosmo's entrance to Boston in the early 1990s. Orion the Hunter charted at #57 on Billboard's Top 200 Albums chart after its debut on May 9, 1984. "So You Ran" made the Top Ten on rock radio and was a mid-chart hit on mainstream pop radio. Orion the Hunter featured Bruce Smith on bass and ex-Heart drummer Michael DeRosier. The album also included Brad Delp, former lead singer of Boston, who co-wrote four songs and sang background vocals on numerous tracks. Delp's vocals are especially noticeable on the ballad "Joanne" which he co-wrote with lead singer Fran Cosmo.

The first release by this English band from the mid 80s. This was first released in 1984 on vinyl and then reissued by Kinesis on CD in 1991. The music is gentle and flowing recalling the softer side of Yes. Along with Solstice, Castanarc were among the very few groups in that era not afraid to be gentle and melodic, eschewing aggressiveness in favor of quiet reflection. Fans of Yes & Genesis will find much to love in "Journey To The East".

At the start of the 1980s, it dawned on somebody in charge of Jimi Hendrix's musical legacy that a whole generation of new listeners had come of age since the guitarist's demise. That meant it was time for a fresh raid on the vaults and a fresh, authorized album release to fly the flag of the Hendrix estate, amid the steady stream of bootleg, gray market, and other unauthorized collections of his early work starting to fill up record store bins and browsers. Kiss the Sky did not just resurrect and recycle old familiar recordings, but included a pair of tracks that were new to most listeners and had a lot of meaning for serious fans…

Pallas are a progressive rock band based in the United Kingdom. They were one of the bands at the vanguard of what was termed neo-progressive during progressive rock's second-wave revival in the early 1980s. Other major acts included Marillion, IQ, Twelfth Night, Pendragon, Quasar and Solstice. The Sentinel is the debut album by British Progressive rock band Pallas. It is a concept album with lyrics based upon Cold War themes, using a futuristic version of the tale of Atlantis as a metaphor for a technologically advanced society brought to the brink of destruction.