Malcolm Is Missin

Poem for Malcolm is a jazz album by Archie Shepp. Recorded in Paris in August 1969 only two days after Yasmina, a Black Woman, it again features musicians from the Art Ensemble of Chicago. This time, the tone is resolutely set to avant garde and free jazz, with a political edge in the all but explicit tribute to Malcolm X.

Pianist Malcolm Martineau is the brilliant initiator of this new one-of-a-kind series on Linn. The Brahms Songbook has set the unprecedented goal to record Brahms’s lieder by complete opus number. In this second instalment, Malcolm is joined by star mezzo-soprano Dame Sarah Connolly and bass-baritone Hanno Müller-Brachmann in five sets that were composed and published over a period of thirty years: Op. 72, Op. 105, Op. 43, Op. 48 and Op. 57. In a time when the middle-class was growing, song-writing was both lucrative and pleasurable, offering a myriad of ways to explore perennially popular topics like unrequited love. Yet, in the lieder recorded here Brahms immerses us in a heightened emotional world, distant from the drawing rooms and concert halls of the bourgeoisie.

Pianist Malcolm Martineau is the brilliant initiator of this new one-of-a-kind series on Linn. The Brahms Songbook has set the unprecedented goal to record Brahms's lieder by complete opus number. In this second instalment, Malcolm is joined by star mezzo-soprano Dame Sarah Connolly and bass-baritone Hanno Muller-Brachmann in five sets that were composed and published over a period of thirty years: Op. 72, Op. 105, Op. 43, Op. 48 and Op. 57. In a time when the middle-class was growing, song-writing was both lucrative and pleasurable, offering a myriad of ways to explore perennially popular topics like unrequited love. Yet, in the lieder recorded here Brahms immerses us in a heightened emotional world, distant from the drawing rooms and concert halls of the bourgeoisie.

The Dallas Bach Society joined with their director and prominent harpsichordist James Richman provide a masterful debut recording with Onyx Classics, Handel’s ‘Messiah’, a new edition provided by Malcolm Bruno based on the original 1741 score. Handel had composed the work at an astounishing pace, spending less than a month in the summer of 1741. At its premiere in Dublin, over 700 patrons overcrowded the Musick hall, with the ladies had been requested to dress ‘without hoops’ in help make room. The Messiah was an instant hit and is established as Handel’s greatest works.