Male From N 080, 9 15 Mei 2014 Pdf

Yasunori Imamura - Spanish Music for Vihuela from the Time of Charles V (2014) {Querstand VKJK 1318}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 248 Mb | MP3 @320 -> 165 Mb
Full Artwork @ 300 dpi (jpg) -> 79 Mb | 5% repair rar
© 2014 Querstand | VKJK 1318
Classical / Renaissance / Chamber Music / Vihuela

The vihuela, a small guitar-like instrument with six or seven courses of double strings, is less familiar than other members of the Renaissance lute family. Only four original examples exist, and modern players who have mastered the instrument's intricacies and the breadth of its repertoire are few. This release by Japanese player Yasunori Imamura should introduce many listeners to the vihuela's riches. The music here was mostly or all written between 1536 and 1557, during (and just after) the reign of Holy Roman Emperor Charles V in Spain. The music includes some by the first composer to write down music for the vihuela, Luys Milán (ca. 1500-1561), and what's even more interesting is how the music stands at the beginning of a progressive trend that would last a century and a half: the use of ground basses to structure a larger composition.

Rodrigo Y Gabriela - 9 Dead Alive (2014) {CD+DVD5 NTSC Rubyworks RWXCD110}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 258 Mb | MP3 @320 -> 96 Mb
DVD5 -> 4.21 Gb | All Regions | NTSC 16:9 | Dolby AC3, 2 ch/6 ch / LPCM, 2 ch | ~ 85m | ISO Image
Full Artwork @ 300 dpi (jpg) -> 52 Mb | 5% repair rar
© 2014 Rubyworks Ltd. | RWXCD110
Guitar Virtuoso / Contemporary Flamenco / Finger-Picked Guitar / Instrumental Rock / Latin Rock / Acoustic

Rodrigo y Gabriela's 9 Dead Alive is their first album of new material in five years. Written, arranged, and co-produced by the pair, they deliberately attempt to forgo the Latin influence in their music in favor of an all-rock (albeit still acoustic) approach – which marks a return to their pre-recording roots in heavy metal. (That they don't entirely succeed is part of what makes 9 Dead Alive so compelling.) Each tune was composed for a different inspiration: authors, philosophers, activists, scientists, and a queen. The set was exquisitely recorded in Mexico by Fermin Vasquez Llera. There isn't a dull moment in these 41 minutes. "The Soundmaker," for 19th century luthier and guitarist Antonio de Torres Jurado, commences with Rodrigo's knotty riff and Gabriela's chugging rhythmic vamp.