Male Order Suzanne Moore

The music presented on this compilation, “Framed Space” consists of a selection of works from the first three years of Melody As Truth.

The Rundfunk-Sinfonieorchester Berlin and conductor Carlo Montanaro present a powerful interpretation of Giacomo Puccini’s Tosca, together with a cast of soloists including Melody Moore (Tosca), Ștefan Pop (Cavaradossi) and Lester Lynch (Scarpia). Tosca has been an audience favourite from the onset. Premiered in 1900, it marks the beginning of twentieth- century opera, in which sex, violence and the uncanny abysses of the human psyche would be explored, inspiring composers to expand the musical means of expression in all thinkable ways.

"Tales from the Realm of the Queen of Pentacles" is singer/songwriter Suzanne Vega's eighth studio album, and her first new release in seven years. It features contributions from Larry Campbell, Peter Gabriel, and Tony Levin (bass, King Crimson).

Suzanne Vega is the self-titled debut album by Suzanne Vega. It was well-received by music journalists in the U.S. and reached platinum status in the United Kingdom. Produced by Lenny Kaye and Steve Addabbo, the songs feature Vega's acoustic guitar in straightforward arrangements. In 1989, Rolling Stone magazine listed Suzanne Vega at number 80 on its "100 Best Albums of the Eighties". It is also mentioned in the book 1001 Albums You Must Hear Before You Die.

"Lover, Beloved: Songs from an Evening with Carson McCullers" is the ninth studio album by the American singer/songwriter Suzanne Vega. The album is based on a play "Carson McCullers Talks About Love" about the life of the writer Carson McCullers, written and performed by Vega, which premiered in 2011.

The richness and incredible flexibility of Domenico Scarlatt1's sonatas make classification impossible. All the formal elements, with their free articulation which often predict the works of classical composers are proof of the musician 's genius. The developmental are of the Scarlattian Sonata is projected with an astonishingly inventive variety. The changing modulations are audacious, and almost always, after the recapitulation, the composer offers us new material or a free improvisation on the original theme.

Steve Gunn and David Moore’s Let the Moon be a Planet is a volume of improvisatory exchanges between classical guitar and piano, and a meeting place where two artists become acquainted through instrumental dialogue without a single expectation distracting them from the joy and open field possibility of collaboration.