Malpertuis [extras] (1971)

Four men rob a gas station and a shot is fired so they return to their home where their four women have been waiting and licking on each other. Pretty soon the eight are all having sex but then things take a dark turn.

All you need are a pair of skis, snow, and a mountain to journey along in Warren Miller's Any Snow Any Mountain. With an all star cast of skiers including Jim McConkey, Pepi Stiegler, Jon Reveal, Pat Bauman, Roger Staub and many others

A degenerate gambler, unable to come up with the cash necessary for a high stakes gin rummy game, bets his nubile daughter. And loses.

A teenager lays a small bundle on the tracks, but before the oncoming train can cross it, an older woman saves the baby from certain death. She keeps little Sophie with her and raises her to be a well-behaved girl.

In 'Iran: the Land of Religions' (alternative tiotle), made for the Ministry of Art and Culture, Vienna-trained documentarian Manuchehr Tayyab focused on the coexistence of major religious traditions in Iran: Shiism, Christianity, Zoroastrianism and Judaism (notably, no mention of Bahaism) – which he rendered with a smoothly gliding camera, deft realism and glorious colour, and without voice-over narration.

Roy Greenford escapes from prison and is aided by a Mexican peasant named Cosorito who works in the gold mines. Roy quickly learns that the peasants are used as pawns for Redfield and his two leery partners, Newman and Lawrence to extract the gold. When the workers attempt to sell their gold for cash, they are cheated by Redfield's bankers. Some of the peasants try to escape to Tucson to sell their gold there, but are killed by bandits lurking in the mountains. These bandits are also under the employ of Redfield. Roy, who hides a mysterious agenda, eventually goes to the town run by the unscrupulous trio to settle accounts in regards to his friend, Emiliano.

In 1951, a group of high schoolers come of age in a bleak, isolated, atrophied North Texas town that is slowly dying, both culturally and economically.

What does the energy harnessed through orgasm have to do with the state of communist Yugoslavia circa 1971? Only counterculture filmmaker extraordinaire Dušan Makavejev has the answers (or the questions). His surreal documentary-fiction collision WR: Mysteries of the Organism begins as an investigation into the life and work of controversial psychologist and philosopher Wilhelm Reich and then explodes into a free-form narrative of a beautiful young Slavic girl’s sexual liberation. Banned upon its release in the director’s homeland, the art-house smash WR is both whimsical and bold in its blending of politics and sexuality.