Manhattan Cameratas

The Manhattan Jazz Quintet are an unusual group in that they very rarely perform as a unit in the United States (much less Manhattan) but have been a major hit in Japan, both for their recordings and occasional tours. Originally comprised of leader/pianist David Matthews, trumpeter Lew Soloff, tenor saxophonist George Young, bassist Eddie Gomez, and drummer Steve Gadd, the band (which emphasizes straight-ahead hard bop swinging) first came together in 1983 at the suggestion of the King label and the top Japanese jazz magazine Swing Journal. To everyone's surprise, its first recording (simply called Manhattan Jazz Quintet) became such a big seller that it was awarded Swing Journal's annual 1984 Gold Disk Award as the number one album in Japan…

Recorded live at Roppongi PIT INN, Tokyo, Japan, April 21, 1986.
The Manhattan Jazz Quintet was an unusual group in that they very rarely performed as a unit in the United States (much less Manhattan) but were a major hit in Japan, both for their recordings and occasional tours. Comprised of leader-pianist David Matthews, trumpeter Lew Soloff, tenor-saxophonist George Young, bassist Eddie Gomez and drummer Steve Gadd, the band (which emphasized straightahead hard bop swinging) first came together in 1983 at the suggestion of the King label and the top Japanese jazz magazine Swing Journal. To everyone's surprise, its first recording (simply called Manhattan Jazz Quintet) became such a big seller that it was awarded Swing Journal's annual 1984 Gold Disk Award as the #1 album in Japan…

Recorded live at Sweet Basil, New York on January 24 & 25, 1992.
The Manhattan Jazz Quintet was an unusual group in that they very rarely performed as a unit in the United States (much less Manhattan) but were a major hit in Japan, both for their recordings and occasional tours. Comprised of leader-pianist David Matthews, trumpeter Lew Soloff, tenor-saxophonist George Young, bassist Eddie Gomez and drummer Steve Gadd, the band (which emphasized straightahead hard bop swinging) first came together in 1983 at the suggestion of the King label and the top Japanese jazz magazine Swing Journal…

As the Manhattan Transfer went on, so did the legacy of the jazz vocal ensemble. In that regard, though the competition was scarce, this group did elevate the art form to a higher level without much compromise. This two-CD, 39-track compilation represents many of the high points of the group. If anything is missing, some of the vocalese influenced by Eddie Jefferson should have been included. Still most fans will recognize "Ray's Rockhouse," "Route 66," "Four Brothers," "Tuxedo Junction," "That Cat Is High," "(Sing) Joy Spring," and their immortal take of the Jon Hendricks lyric to "Birdland." Unless it is a complete collection, you'd be hard pressed to find a better grouping of the Manhattan Transfer's prime body of works.

This eclectic collection of songs encompasses jazz, bebop, swing, doo wop, rock & roll, and gospel; all are trimmed in an attractive pop texture. These 16 compositions are taken from the vocal quartet's albums, which span 12 years (1975-1987). Each selection is inviting, as all four song stylists display their individual vocal skills and admirable harmonies. Laurel Masse appears on recordings up until 1979, when Cheryl Bentyne replaced her. Other members include Tim Hauser, Janis Siegel, and Alan Paul.

A virtuoso on the alto, soprano, and tenor saxophones, as well as the unique EWI breath controller, Jaared is an internationally acclaimed recording artist. He is also an accomplished singer, who often brings the house down with his vocals.