Manila, Open City (1968) Eddie Romero, Charito Solis, James Shigeta, Alex Nicol, Drama, War

Un pirate informatique sévit dans le Pays Bigouden et rançonne ses victimes impunément. La gendarmerie de Pont-l'Abbé s'efforce de traquer ce malfaiteur mais l'enquête piétine. Jusqu'au jour où celui-ci commet l'erreur de pirater le compte en banque de Soazic Rosmadec. Gwenn, son mari, et Jeannot, informaticien et ancien de la DGSE, vont traquer sans relâche le cybercriminel avec leurs moyens. Leurs investigations vont les mener des côtes de Bretagne jusqu'aux vallées verdoyantes du sud de l'Irlande. Le hacker qui se croyait si malin n'aurait jamais dû s'en prendre aux Rosmadec ! …

Corinne de Trévennec, Vénérable d’une loge maçonnique de Quimper, demande à Gwenn Rosmadec, écrivain public, de coucher sa vie sur le papier. Mais son but réel est d’inciter Gwenn à rejoindre les Francs-maçons. …

Leonard Chess dispatched Etta James to Muscle Shoals in 1967, and the move paid off with one of her best and most soul-searing Cadet albums. Produced by Rick Hall, the resultant album boasted a relentlessly driving title cut, the moving soul ballad "I'd Rather Go Blind," and sizzling covers of Otis Redding's "Security" and Jimmy Hughes' "Don't Lose Your Good Thing," and a pair of fine Don Covay copyrights. The skin-tight session aces at Fame Studios really did themselves proud behind Miss Peaches.

Recorded live at Marla's Memory Lane Supper Club in Los Angeles, this 1986 date finds Etta James in front of a superb combo fronted by Eddie "Cleanhead" Vinson, with Red Holloway, Jack McDuff, and Shuggie Otis providing the supple and swinging backdrop. Vinson is featured on "Kidney Stew," "When My Baby Left Me," and "Railroad Porter Blues" before the turning the stage over to Etta, who provides a blistering "Something's Got a Hold on Me" and a sultry three-song medley of "At Last," "Trust Me," and "Sunday Kind of Love." The two stars duet on Percy Mayfield's "Please Send Me Someone to Love" before Etta closes the show with strong readings of "Lover Man" and "Misty." The small crowd's enthusiastic response makes this a show you wish you were there for; this disc is the next best thing to it.