Mansur Brown – Shiroi

MANSUR is the newly initiated project by Jason Kohnen (ex-The Kilimanjaro Darkjazz Ensemble) joined by Dimitry El-Demerdashi (ex-Phurpa) and introducing Martina Horváth on vocals. The sound of MANSUR navigates between the waters of musical fantasy and reality - it morphs and blends traditional instrumentation with modern day electronica. After the debut record "Temple" and the debut full length "Karma" Minotaurus is Mansur’s first live improv recording. A musical homage to the mythos of the Minotaur. The minotaur as a mirror of self reflection - the fear of confronting one’s inner ugliness. MANSUR takes you on a sonic journey through subterranean labyrinths, evoking spirits from past echoes of Minoa.

Alto saxophonist Pete Brown has been showing up on Keynote and Savoy reissues for years, but seldom if ever has there been an entire package devoted to recordings made under his name. The Classics Chronological series has accomplished many impressive feats, but this disc deserves special attention. Brown brought excitement and sonic ballast to nearly every band he ever sat in with. His works with John Kirby and especially Frankie Newton are satisfying, but this CD contains the very heart of Brown's artistry. It opens with "Cannon Ball," a boogie-woogie from 1942 sung by Nora Lee King. This relatively rare Decca recording features Dizzy Gillespie, Jimmy Hamilton, and Sammy Price, the pianist with whom Brown would make outstanding music a bit further on down the road. Similarly rare and even more captivating are two extended jams recorded in Chicago in April of 1944. Brown's quartet on this date consisted of electrically amplified guitarist Jim Daddy Walker, bassist John Levy, and drummer Eddie Nicholson.

Sam Brown first shot to fame with the massive UK No. 4 hit "Stop" in 1989. The album of the same name went on to sell over 2.5 million copies worldwide. It also spawned the UK Top 15 hit "Can I Get A Witness?". Her follow-up album "April Moon" yielded the single "Kissing Gate", charting at No. 23. Above all, Brown is an outstanding musician with a voice so distinct and powerful that it didn't take long for fellow musicians to recognize. She was a backing singer on Pink Floyd's "The Division Bell" album and worked with David Gilmour on his 2003 acoustic concert tour throughout the UK & Europe. In 1994, she was a guest with future husband Jools Holland's Rhythm & Blues Orchestra and became their vocalist in 2000. The Very Best of Sam Brown is the compilation album from the UK singer-songwriter, Sam Brown. It was released worldwide in 2005. Includes the previously unreleased demo version of ‘Stop!’

The Godfather Of Soul, James Brown was a prolific singer, songwriter and bandleader, as well as one of the most iconic figures in funk and soul music, as evidenced on new collection Super Bad Live!

James Brown was arguably the most important and innovative R&B artist of the '60s and '70s, a singer, songwriter, and bandleader who rewrote the book on how the music would sound as he redefined soul, laid the groundwork for funk, anticipated the grooves that would drive hip-hop, and even influenced new movements in rock and jazz. This box set collects five albums from James Brown's extensive back catalog, dominated by recordings of Brown's fabled live shows. Live at the Apollo is a classic 1962 concert set from New York's Apollo Theater that documents Brown's dynamic stage show at a time when he was widely regarded as the most exciting performer on Earth. Sex Machine, released in 1970, is another live set that captures Brown's powerhouse stage band the J.B.'s (including Bootsy Collins, Maceo Parker, and Fred Wesley) tearing through a breathtaking set of extended funk workouts. And Revolution of the Mind is a 1971 release that preserved another show at the Apollo, playing a set that covered his '60s soul hits as well as his more recent funk groovers. Along with the three live discs, this set includes two compilations of Brown's classic funk performances, 70's Funk Classics and In the Jungle Groove.