This album perfectly showcases the Queens monolithic rock in a "warts and all" style befitting of the band and representing their ferocious liveshow fully and accurately. Even if you've never set eyes on him before, you can tell just by listening to this album that QOTSA's giant frontman Josh Homme is an imposing onstage presence as he rips through classics old and new - pausing just long enough to straighten his immaculate ginger quiff (or in one rather humourous case, to publicly humiliate an audience member for "throwing stuff" at him) before ripping into the next slab of rhythm and riffage.
Verve 60th Anniversary Rare Albums SHM-CD Reissue Series. Reissue with SHM-CD format. Hip and groovy work from Phil – very different than both his earlier bop-heavy sides, and his freer European recordings – recorded with some great backings by Johnny Pate, the excellent Chicago soul arranger who also did some great soundtrack work! Pate's come up with some tight short tracks that have a nice groovy late 60s Verve feel – over which Woods solos angularly on alto, working amidst woodwinds by Jerome Richardson and Jerry Dodgion, piano by Herbie Hancock, trumpet by Thad Jones, and some light strings that trickle in and out from time to time.
Avid Jazz presents four classic Phil Woods albums, including original liner notes on Volume Three of a finely re-mastered and low priced double CD. “Pairing Off”; “Woodlore”; “Sugan” and “Rights to Swing”.
To continue the tennis analogy taken from the original liner notes of our first serving, “Pairing Off”, we have an ace album to start the first set! Enjoy the fantastic line up as the main protaganists pair off against each other for a swinging set of volleys! Phil Woods and old doubles partner Gene Quill on tenors, Donald Byrd and Kenny Dorham on trumpets, assisted by more than capable “ball boy” Tommy Flanagan on piano, Doug Watkins on bass and Philly Joe Jones on drums. Liner notes writer Ira Gitler was obviously a sports fan as he again uses a sports analogy on our second selection “Woodlore”…
In 1970, when Inner City Records was just getting off the ground, Phil Woods was in Europe enjoying himself, and collaborating with musicians who were definitely feeling the spell of the Miles Davis groundbreaking jazz fusion epic Bitches Brew. While always a staunch straight-ahead bebop player, Woods decided to mix it up a bit and incorporate elements of funk, rock, and free improvisation, much to the likely chagrin of his listeners. In fact, a vitriolic letter printed on the back cover from an unidentified fan residing in Chicopee Falls, MA, rips Woods for abandoning melody, criticizes his titles, and actually threatens him with physical violence should he ever show up in his town.