The Austrian mezzo-soprano Klaudia Tandl, the acting legend Gabriele Jacoby and the Irish pianist Niall Kinsella present "Schubert's Women" with Schubert songs and recitations by contemporary poets with a strong connection to women and the subject "love". There are classics like Das Heidenröslein, You Don't Love Me, The Girl's Lament or Only Who Knows Longing, but also lesser known songs like Luisen's Answer, Thekla or Gretchen's Request. This is accompanied by texts by Johann Wolfgang von Goethe, Ludwig Rellstab, Friedrich Schiller, Ignaz Franz Castelli, and Friedrich Gottlieb Klopstock, which Gabriele Jacoby staged in a unique way.
The first-time teaming of Poland’s dynamic Marcin Wasilewski Trio and big-toned US tenorist Joe Lovano brings forth special music of concentrated, deep feeling, in which lyricism and strength seem ideally balanced. The alliance plays four new tunes by Marcin and one by Joe, as well as Carla Bley’s classic “Vashkar” (in two variations), plus collective improvisations with strong input from all four players; Slawomir Kurkiewicz’s bass skills are particularly well-deployed in the spontaneous piece “Arco”. Joe will be joining the Polish trio for a number of selected concerts in the autumn. Arctic Riff was recorded at France’s Studio La Buissonne in August 2019, and produced by Manfred Eicher.
Johann Forkel, the biographer of J.S. Bach, numbered Müthel among the most remarkable of Bach’s pupils. Another of the great chroniclers of 18th century music, Charles Burney, described Müthel's works as 'so full of novelty, taste, grace, and contrivance, that I should not hesitate to rank them among the greatest productions of the present age.’ In Müthel's five concertos for keyboard and strings we nevertheless meet a distinctly individual composer, displaying sophisticated rhythms and harmonic playfulness. Presenting them on this set of two CDs, the young Polish harpsichordist Marcin Świątkiewicz makes his début on BIS. He is supported by his compatriots in the acclaimed period band Arte dei Suonatori, who clearly relish the often intricate and always eventful orchestral parts.