Mard Ko Dard Nahin Hota

Anton Bruckner dedicates his 9th Symphony to "Dear God", knowing full well that his heart disease will kill him.

Loss, death, and redemption: Anton Bruckner went through a whirlwind of emotions during the two years in which he wrote the Seventh Symphony. The worst theater fire in history left hundreds dead practically next door to his Vienna apartment; Bruckner would have been one of the victims, had he not decided at the last minute to stay at home instead of going to the opera.

Bruckner's Third - a creative history that is unique even for the great Austrian romantic. No other of his symphonies has been revised, reshaped and reissued more often. Yet the first version from 1873, which François-Xavier Roth has chosen for this recording, bristles with boldness and the joy of experimentation. Here, the reminiscence of Beethoven's Ninth and the works of the dedicatee Richard Wagner is almost tangible.

The Gürzenich Orchestra and its chief conductor François-Xavier Roth dedicate their first release on myrios classics to two symphonies by Robert Schumann. The album is based on live recordings made at Cologne’s Philharmonie.

DANCE AND SWING of the "ROARING TWENTIES" The Junge Philharmonie Köln with their conductor Volker Hartung invite you to a journey back in time to the 'Golden Twenties' and their ingenious swing music from Broadway to Berlin. They delved into the playing style and sound aesthetics of the time and they play the best hits of the swing era from the original arrangements in a unique playing style. The first half of the concert will feature a selection of racy foxtrots and tangos from the "Golden Twenties" - swing music at its best - from Broadway to Berlin…

You are a detective who decides to visit your late father's cabin, which he has left you, somewhere in the woods of northern Sweden. But everything is not what it seems. Determined to find out what drove your father to spend his final months in isolation in the cabin, you set out to investigate.

Young Mohammad-Reza falls victim to tooth decay woes-and Kiarostami takes advantage of his misfortune by documenting the trauma of the subsequent dental appointment-crafting a humorous portrait eliciting empathy for a young man in a troubling situation familiar to many.