After their acclaimed recording of Weber’s Freischütz, the Dresdner Philharmonie and its Principal conductor Marek Janowski present yet another German opera stereo classic with Beethoven’s Fidelio. They work together with a stellar cast — well-seasoned in German opera — including Lise Davidsen (Fidelio/Leonore), Christian Elsner (Florestan), Georg Zeppenfeld (Rocco), Christina Landshamer (Marzelline), Cornel Frey (Jaquino), Johannes Martin Kränzle (Don Pizzarro) and Günther Groissböck (Don Fernando).
Penderecki’s first opera “The Devils of Loudun” had its world premiere in 1969 at the Hamburg State Opera. This film adoption, recorded in the same year shortly after the premiere, reunified the original cast of this premiere – e.g. Tatiana Troyanos with an amazing and breathtaking interpretation of the humpy non Jeanne. Because of her sexual visions a priest, who doesn’t know her, burns at the stake. The expressive music and the intensive camera shots result in a mix which is not for faint-hearted people. So it’s no surprise that film director William Friedkin used the music by Penderecki in his movie “The Exorcist”. If you like this movie, you will love this DVD!
This long awaited album was released by DUX and features two piano concertos by the outstanding Polish post-Romantic Zygmunt Stojowski, a student and friend of Ignacy Jan Paderewski. It is our great pleasure to be able to remind listeners once again of such a valuable repertoire. We are certain that this new album will bring them much joy and satisfaction!
On the surface, this Ring cycle recording might seem like a poor relation to those by Sir Georg Solti, Herbert von Karajan, James Levine, and others, or to the live recordings from the 1950s by the likes of Wilhelm Furtwängler, Clemens Kraus, and Hans Knappertsbusch. The very names constitute big guns in opera, and their respective casts are not exactly weak either. Complicating matters further is the fact that Marek Janowski's Ring was originally released by Eurodisc/Ariola, a European-based label that, while huge over there, never had the profile or prestige of Deutsche Grammophon, Decca, orEMI; the fact that it's now on RCA/BMG doesn't exactly help, either, as the latter has lost a good deal of its luster as a major label since the 1980s. But the Janowski Ring also occupies its own place in history…
This enchanting duet project features Polish-born (and Berklee grad) Marek Dykta engaging in some intimate guitar dialogues with his friend and mentor John Abercrombie. Between four delicate waltzes, including Dykta's affecting "2642", the playfully dissonant " How They Dance" and the lovely "Ten Nights" along with Dykta's gorgeous " The Day that wouldn't End" and Abercrombie's introspective "Foolish Door", this is a brilliant collection of luminous, warm-toned improvisations.