Margaux

Mirare presents another fine recording by the talented ensemble Les Ombres, led jointly by group members Margaux Blanchard and Sylvain Sartre. Baroque music combines violence and gentleness, unity and plurality. This disc dedicated to the myth of Semele and Icarus combines music by Marin Marais, André Cardinal Destouches and George Frederic Handel.

Playing together while retaining each other’s individuality: this could be the motto of Margaux Blanchard and Diego Ares, who have produced a renewed interpretation of an iconic repertoire for viola da gamba and harpsichord. Three sonatas that crown Johann Sebastian Bach’s affection for these two instruments.

André Cardinal Destouches (1672-1749) was educated by the Jesuits and had a career as a Musketeer before resigning to study music with André Campra. His first ‘hit’ was the pastoral Issé in 1697, which was written for the court but immediately taken up by the Opéra in Paris. He rose to prominent positions in both contexts and Sémiramis was first performed in 1718. Influenced by the Italophile Campra, Destouches abandoned the traditional five-part string scoring of Lully and his followers and created a work that was perhaps too serious for its time: only now are we in a position to recognise his work as an important step along the road from the aesthetic of Lully to that of Rameau.

The musicians of Les Ombres pay tribute to Luigi Boccherini. The free and audacious composer was an insatiable traveler and the inventor of the string quartet whose belatedly acknowledged genius has now earned him a major place in the history of music.

J.S. Bach’s son Johann Christian arrived in London in 1762, and with his fellow composer Carl Friedrich Abel established a series of prestigious concerts that ran for 17 years. Music heard at the Bach-Abel recitals is surveyed on this intriguing album by the Swiss ensemble Les Ombres. The sprightly Quartet in D Major by J.C. Bach, two pensive pieces for bass viol by Abel, and a charmingly Mozartian Harpsichord Quintet by Johann Samuel Schröter are among the highlights, and three of Haydn’s numerous arrangements of Scottish songs are brightly sung by mezzo-soprano Fiona McGown. Les Ombres play on period instruments, imparting an extra tang to this fascinating slice of aural history.

Ce Concert chez la Reine, par les Ombres un jeune ensemble de musique baroque de la nouvelle génération, en résidence à Ambronay, est saisissant de réalisme dans la reconstitution historique authentique. Dès les premières secondes, j'ai eu l'impression d'être dans une salle éclairée par des bougies, entourée de dames en costumes et de marquis emperruqués Louis XV.

Launching Ambronay Editions' 'Jeunes Ensembles' collection, Concert chez la Reine opens a window on the French Enlightenment. Les Ombres, directed by Margaux Blanchard and Sylvain Sartre, contrast masterworks by Couperin le Grand with music from Colin de Blamont, master of the Kings chamber music to Louis XV, realised from manuscripts in the Bibliothèque nationale.