Maria Calas La Divina (oeuvres de Bellini, Bizet, Donizetti, Gluck, Puccini, Verdi)

This CD has two of the best arias every Callas fan should have….the bell song and la mamma morta these arias alone make this cd worth it….she shows her true power and agility in both of these arias that display what is called perfect technique….making her a true Dramatic Colortura singer…and maybe the only real one…but this cd has more it contains an aria from her famous role of Nedda from Pagliacci which she never did on stage so this is a real treat… and her Carmen is always perfectly done…this cd runs through so many beautiful arias and Callas did great in all of them…this is why we call her La Divina

For those who can only judge Callas' voice, any recording can be very disapointing. To enjoy listening to her voice, one must be aware of her work as a dramatic performance rather than a technically perfect and beautiful voice. She sang with her soul, her heart and all the deep feelings a human being can experience and this led her to the top of the opera world, although her voice never achieved beauty and evenness as it would be expected of an opera Diva.

The Monteverdi contemporary Girolamo Frescobaldi (1583-1643) is now unfortunately almost exclusively seen as an important and influential composer of works for keyboard instruments, but he also composed both sacred and secular vocal music throughout his entire creative period.

If you want to know the reason behind all the fuss about Maria Callas, buy this CD. Callas's great gift was not purity of tone or emission, reliability, or sheer loveliness; it was, rather, her ability to change her vocal color and style to suit not only particular periods of opera but to get under the skin of the individual characters she portrayed.

The gala evening at the Paris Opera on December 19, 1958 was announced in the press as ""the greatest show in the world". Maria Callas, at the height of her glory, performed for the first time in front of a Parisian audience. The diva delivered all the facets of her art through the Italian classics that she loved, with the theatrical genius that is proper to her. Paris gave her a triumphant evening!
The original recording of this evening, broadcast in Eurovision throughout Europe, has been newly restored with the greatest care.

The 19th century was a significant time for both opera and the guitar. Opera was everywhere, and its characteristics gradually began to appear in other styles of music as composers tried to encapsulate the expressiveness and flexibility of the voice into their works. At the same time, the guitar underwent major changes in construction; this disc showcases pieces that combine these two major elements of 19th? century music, all of which are played by Roch Modrzejewski – praised in Les Cahiers de la Guitare as an ‘extraordinary, demanding, gifted and clever guitarist’.