Marjorie: Hotel Heat Jstilton

A lounge electronica compilation series by french DJ Stéphane Pompougnac.
Hotel Costes is one of France's most famous hot spots, and regularly attracts stars of the film and fashion world. Pompougnac released his first CD in 1999, titled Café Costes. Pompougnac's second CD, Costes, La Suite, met with more success and the song "Sympatique" was used for a car ad in France sending record sales over 100,000. His first two albums were released in France through Barclay Universal; his increased success, however, saw a deal with MSI for his third compilation, Etage 3, released in October 2000. His first three compilations together sold nearly half a million copies.

A lounge electronica compilation series by french DJ Stéphane Pompougnac.
Alif Tree's “Belle,” Soundstream’s remix of Rhythm & Sound's “Free for All,” Freedom Dub's hushed cover of the Rolling Stones' “Emotional Rescue,” Gotan Project's “Diferente,” and Status IV's “You Ain’t Really Down” highlight Stéphane Pompougnac's ninth commercial mix for Paris’ Hôtel Costes. Pompougnac opens the disc with his version of Ennio Morricone's “The Ballad of Sacco and Vanzetti” and gently settles into another assortment of contemporary dance tracks that mirrors his lush, downtempo aesthetic.

Canned Heat's second long-player, Boogie with Canned Heat (1968), pretty well sums up the bona fide blend of amplified late-'60s electric rhythm and blues, with an expressed emphasis on loose and limber boogie-woogie. The quintet – consisting of Alan "Blind Owl" Wilson (guitar/harmonica/vocals), Larry "The Mole" Taylor (bass), Henry "Sunflower" Vestine (guitar), Aldolfo "Fido" Dela Parra (drums), and Bob "The Bear" Hite (vocals) – follow up their debut effort with another batch of authentic interpretations, augmented by their own exceptional instrumentation. One development is their incorporation of strong original compositions. "On the Road Again" – which became the combo's first, and arguably, most significant hit – as well as the Albert King inspired anti-speed anthem, "Amphetamine Annie," were not only programmed on the then-burgeoning underground FM radio waves, but also on the more adventuresome AM Top 40 stations. Their love of authentic R&B informs "World in a Jug," the dark "Turpentine Blues," and Hite's update of Tommy McClennan's "Whiskey Headed Woman".

The story of Canned Heat is one of imperishable music, of zeitgeist-capturing hit singles and albums and of glorious performances at epochal events like the 1967 Monterey Pop Festival and the 1969 Woodstock Festival and at legendary venues like San Francisco's Fillmore Auditorium. And most of all, perhaps, the story of Canned Heat is one of triumphant perseverance for through all their successes and disasters the band have retained their musical integrity and commitment to playing the blues and they remain admired and active to the present day. By the time of the band's 1998 Rockpalast gig Fito de la Parra and Larry Taylor, who had formerly played bass but was now on guitar, had been joined by singer-slide guitarist Robert Lucas and bassist Greg Kage. "On The Road Again" on which de la Parra attempts to replicate Wilson"s extraordinary, spooky vocals while the band recreate something of the mesmerizing magic of the hit record. de la Parra also channels his inner Alan Wilson on "Going Up The Country".