TOR LUNDVALLS NOTES: In September 2012, I received an e-mail from someone named John B. who said he had assembled a lengthy remix of my music, which also incorporated some of his own material. John asked if Id mind if he posted this recording on YouTube, to which I agreed. He also mentioned that there was a second part to his mix that was roughed out, but never completed. I was curious to hear both parts, so shortly afterwards, John mailed me two CDrs which I enjoyed very much. The recordings were hypnotic and haunting, evoking images of vast fields at twilight. I was especially fond of the second disc which had a darker atmosphere and featured more of Johns original material, beginning with ghostly clock chimes and ending with a mysterious piece using dried seed pods and other cryptic sounds that slowly built-up into an intense, almost claustrophobic environment.
This book, while offering records of established marks and clues to postulated ones, both painted and incised, endeavors to be more than a guide to marks. …
Cellist Nathaniel Rosen began to study his instrument at age six with distinguished teacher Eleanore Schoenfeld. At 13 Rosen was heard by legendary cellist Gregor Piatigorsky during a local competition, and on the basis of this performance Piatigorsky agreed to take Rosen under his wing. At 17 Rosen first traveled to Moscow and was awarded a secondary prize in the 1966 Tchaikovsky Competition along with three other Americans.