Mark Padmore and fortepianist Kristian Bezuidenhout combine here to perform two of Schumann’s major cycles to words by Heine. They also throw in a selection of five Heine settings by the largely forgotten Franz Lachner (1803-90) from his Sängerfahrt (Singer’s Journey), which include the same text – ‘Im wunderschönen Monat Mai’ – with which Schumann’s Dichterliebe begins.
To commemorate the 25th anniversary of Mark’s debut solo release Golden Heart in 1996, a new box set, Mark Knopfler - The Studio Albums 1996-2007, will be released on 1st October Worldwide, and 10th December in the US.
Gathering his first five post-Dire Straits solo albums (not counting film scores), and a bonus disc of B-sides titled The Gravy Train, this collection is as sleepy and nonchalant as an old friend’s affable shrug. Knopfler does what he does, blending folk, blues, country and rock into a tension-free take on Americana that’s faintly personal but more about delivering a carpet atmosphere of reflective rumination.
The audio of each album has been newly remastered by Miles Showell at Abbey Road Studios in London.
In 2002, Mark Lanegan was looking to make some changes in how he approached his music – the Screaming Trees had finally collapsed at the end of the '90s, he'd found a new fan base as a frequent guest vocalist with Queens of the Stone Age, and the spare, blues-leaning solo efforts Lanegan cut for Sub Pop were no longer side projects but the first chapters of a new career. As Lanegan was strategizing his next move, he went to Houston, Texas and in five days recorded a dozen songs with a handful of talented local musicians, including guitarist Ian Moore and longtime Willie Nelson sideman Mickey Raphael on harmonica, with Justice Records founder Randall Jamail as producer. While the sessions were meant to be demos for a stack of songs Lanegan had written for Jamail's publishing house, the finished product sounded good enough to be an album, and in 2015 Lanegan finally released the material under the title Houston: Publishing Demos 2002. The jolly irony is that while these are supposed to be demos, in many respects the performances sound more polished and "commercial" than most of Lanegan's early solo efforts, capturing a laid-back but buoyant mood that's informed by country and blues as much as rock, and Lanegan seems comfortable singing with the group, rather than simply laying his vocals over the top.
“MARK” is the new solo record from acclaimed drummer and composer Mark Guiliana: an auditory manifestation of one of the world’s most creative and innovative musical minds.
Hugely positive and sometimes crushingly sentimental, Germany's Mark 'Oh (Marko Albrecht) is part of a long line of German musicians who threw down the mantle of rock amateurism in order to embrace his country's post-rave mainstream dance. After disbanding his first guitar outfit, Line Up, 'Oh began as a DJ in 1990 and worked his way up to production with the 1993 limited release of "Randy – Never Stop That Feeling," a cheery, helium-sampled single that found its way to the top of Germany's charts for half a year after its re-release. Subsequent singles furthered 'Oh's light Super Mario Brothers trance style and his three albums – 1995's Never Stop That Feeling, 1996's Magic Power, and 1999's Rebirth – showed an increase in guest appearances and unusual covers, such as reworkings of Visage's "Fade to Grey" and Nick Kamen's "I Promised Myself." A premature Best Of collection was released in 2001.