Marko Kolanovic, Phd

Cellist Marko Ylönen has recorded a beautiful double album containing Bach’s six suites for solo cello. On the album, Ylönen wants to emphasize the way in which the different series work together in a dialogue. That is why he does not play them in their numerical order, but creates an experience that takes the listener from the world of passion in the fifth series to the joyful tones of the last sixth series. The clear musical structure and the affect of the musical characters and gestures combine in Ylönen’s performance. His interpretation of the Bach suites tells the listener something invaluable, touching and timeless.

In the booklet note for this release, Pehr Hendrik Nordgren is considered “among the most outstanding masters of this grossly underrated generation”, that is, the generation that fell outside the avant-garde wave of famous names born in the 1920s, and those who reacted against atonality and returned to tradition and easily recognisable genres such as minimalism. Nordgren has done well in numerous recordings on the Alba label and elsewhere, BIS and Finlandia to name two, but still doesn’t really have ‘household name’ status. Both As in a Dream and the Concerto for Viola, Double Bass and Chamber Orchestra Op. 87 are world premiere recordings.

The saxophone, especially the alto saxophone, is not necessarily a very busy instrument in the symphony orchestra. However, in addition to its formative tracks in jazz, in quite a few cases it has also left sound traces in the field of so-called "classical music" that are worth listening to. These traces are followed by the CD "Gravity Groove" by the Finnish saxophonist Joonatan Rautiola. In addition to an interesting arrangement detour to Mozart's "Kegelstatt Trio", it also brings to life impressionistic or neo-classical gems such as Claude Debussy's Rhapsody for Alto Saxophone and Paule Maurice's Tableaux de Provence. With Charles Wuorinen's Divertimento and the title sonata by Tuomas Turriago, "Gravity Groove", Rautiola enters contemporary sound spheres with virtuosity and tonal refinement.

Marko Topchii, winner of the 2017 Michele Pittaluga Guitar Competition, has selected a rich and varied repertoire ranging from neo-Romanticism to serialism, each work offering a unique vision of the instrument’s technical and expressive capabilities. Antonio José’s Sonata is remarkably inventive, bringing a new language to ancient dance forms, while Frank Martin’s Quatre Pièces brèves, written in the same year, offers the flourish and vigour of contemporary harmonic vocabulary. Roland Dyens’ Libra Sonatine is one of the most virtuosic and brilliant of late 20th-century guitar works.

Tallinn Chamber Orchestra’s album “Pēteris Vasks”. The publication includes two string concertos by Latvian-born composer Pēteris Vasks, the first of which is “Concerto No. 2 “Klātbūtne” for Cello and String Orchestra” – a three-part concerto for cello and string orchestra. Marko Ylönen will perform as a cello soloist on the recording. The second work on the album is the four-part “Concerto for Viola and String Orchestra” that features viola player Lilli Maijala as soloist. The orchestra is conducted by Juha Kangas.

Con questo Vol. I d'una Opera Omnia ancora in corso, arriviamo subito alla piena maturità dell'importante musicista finlandese, ma anche forse del Meta4, importante quartetto connazionale: direi che si son fatti un regalo reciproco con questa produzione, ovviamente Ondine. Seppure resta per me sospeso il giudizio se queste possano essere delle interpretazioni di riferimento.

An album with a mission to defy classification, BariTenor is a tour de force for Michael Spyres. It ranges wide, encompassing repertoire normally assigned to both tenors and baritones. Programming 18 arias by 15 composers, it covers three centuries of opera in Italian, French and German, setting mainstream works beside relative rarities, and rediscovering Étienne Méhul's Ariodant, first heard in 1799.