Martin Ford

Featuring Vaughan Williams’ masterly and intensely personal Five Mystical Songs, this album reflects on the sources of inspiration of some of his sacred choral works, alongside gems of 19th- and early-20th-century English church music. Often setting the poetry of the King James Bible, the finely spun melodies and sensitivity to word-rhythm of composers from S. S. Wesley to Herbert Howells result in a uniquely British form of expression.

Christmas is a time for special musical experiences, from gentle traditional carols to rousing calls for worship. This recording fully represents the Vasari Singers' renowned seasonal programmes, mixing familiar festive fun with newly inspired creations such as the world premiere recording of Helena Paish's beautiful setting of words by the youngest of the Bronte sisters. From the evocative narrative of Finzi's In Terra Pax to the joyous potpourri of A Merry Little Christmas, this, like the Vasari Singers' previous Christmas release, A Winter's Light (Naxos 8.573030), is a recording to treasure.

Although it was Donizetti’s first theatrical success, the original 1822 version of this violent love story was never given a complete performance because the tenor cast in the role of the hero died shortly before the first night. Even so, Donizetti quickly adapted this role for a mezzo-soprano, achieving his first theatrical success. Opera Rara presents the world premiere of the original tenor version. In addition the recording includes six more pieces written for the 1824 revival.

Black is Lita Ford's sixth studio album and featured a change of style in her music, compared to her other albums. Black sees Ford move into other musical styles such as blues and grunge, while still maintaining her metal and rock roots. There would be a 14-year gap between Black and her next studio album, 2009's Wicked Wonderland.