Martin Hammond

A decent debut album, featuring a lively mix of hard-rock and r&b with progressive rock, folk, and blues sources. Ex-King Crimson alumnus Mel Collins blows the sax, and Fairport Convention's Martin Allcock and Ric Sanders turn up on a couple of tracks, but the dominant sound is Barre's guitars, soaring, crunching, grinding, or noodling gently, either blues or English folk tunes–he's not as focused here as he is on Tull's records, and his sense of melody isn't as strong as Ian Anderson's, but his playing can be entertaining and diverting. The folk-like title track is practically a lost Tull number, with a great beat and Barre singing like Anderson while playing a sweet mix of acoustic and electric guitars and mandolin. But most of the rest here is blues, r&b, and hard rock–Maggie Reeday provides the soulful lead vocals on "A Blues For All Reasons," sharing the spotlight with Barre's stinging solos and acoustic blues noodlings, and Andy Giddings' pumping Hammond organ. Some of the lyrics are dispensible, and the material doen't hold up for 50 minutes, but any fan looking for something between Tull tours may enjoy it.

Back in 2008, former Wishbone Ash bassist/vocalist Martin Turner came up with the idea of re-recording the immortal "Argus" record with his then current band consisting of Ray Hatfield, Keith Buck, Rob Hewins, and Danny Willson. The legendary John Wetton (Asia, Uriah Heep, Wishbone Ash) and Yes keyboardist Geoff Downes also make an appearance on one track. However, the intention was to approach the aforementioned album from a slightly different angle with respect to the technology used to record it and each individual musician's contribution to the song material…

In the course of his stage career Martin Sasse has worked with nearly all legends in the international jazz scene and Sasse himself ranks as one of the most outstanding jazz pianists in Europe…