Martin J. Pasqualetti The Thread of Energy Oxford University Press (2021)

A selection of sacred and Christmas choral music published by Oxford University Press in Spring 2021, performed and recorded by renowned choral group, The Gesualdo Six. Includes music by Rutter, Quartel, and McGlade. “Ingeniously programmed and impeccably delivered, with that undefinable excitement that comes from a group of musicians working absolutely as one.” (Gramophone)

When King’s College, Cambridge was founded by King Henry VI in 1441, careful provision was made for a choral foundation of sixteen men and sixteen choristers to sing daily services in the Chapel. English worshippers of the late fifteenth and early sixteenth centuries were generous when it came to music, making regular donations and bequests to churches and monasteries, so that masses could be sung for the salvation of their souls. It is no coincidence that the music of this era should therefore have reached new heights of richness and complexity; indeed, England was home to some of the most elaborate polyphony composed anywhere in Europe.

“My enthusiasm for Brahms goes back to my youth, and the piano concertos are largely responsible for it,” writes Sir András Schiff in a liner note for this remarkable new recording. It finds the great pianist reassessing interpretive approaches to Brahms in the inspired company of the Orchestra of the Age of Enlightenment. To fully bring out the characteristics of Brahms’s music Schiff’s choice of instrument is a Blüthner piano built in Leipzig around 1859, the year in which the D minor concerto was premiered. The historically informed Orchestra of the Age of Enlightenment plays with the flexibility, attitude, and responsiveness of a chamber music ensemble, as they work without a conductor, listening attentively to each other. András Schiff’s collaboration with the orchestra in a series of concerts was widely acclaimed: “Brahms’s First Piano Concerto was reborn thanks to the OAE’s incisive playing and András Schiff’s characterful phrasing”, The Guardian exclaimed. The musicians’ mutual wish to recapture the experience led to the present double album, recorded in London in December 2019.