“Fear is a theme that comes up pretty quickly if you try to understand the strange mood of our society,” says GET WELL SOON’s Konstantin Gropper about his stylistic volte-face from LOVE to THE HORROR. “It seems to be a big common denominator.” Inevitable then, but also entirely in keeping with an artist who has already made an album about the apocalypse – 2012’s grandiose The Scarlet Beast O’Seven Heads – and writes songs titled ‘I Sold My Hands For Food So Please Feed Me’ and ‘We Are Safe Inside While They Burn Down Our House’.
This is a relatively new venture for the outstandingly imaginative recording outfit that is Opera Rara. The label's fifty-fourth recording sees them venturing on an uncompleted work by Donizetti, the composer they love the most. The composer had decamped from Naples to Paris when the censors, on the king’s personal instructions, banned his opera Poliuto.
It's often difficult to create a compilation album that does a musician justice when they recorded for more than one label, and this is certainly the case with Phil Ochs. Ochs' first three albums for Elektra were the work of a gifted but earnest topical songwriter armed with an acoustic guitar, while the five albums that followed for A&M found Ochs exploring both personal as well as political issues, and broadening his musical approach. Unfortunately, outside of the three-disc box set Farewells & Fantasies and the out of print double-LP collection Chords of Fame, none of the many Ochs compilations that have emerged have featured material from both periods of his recording career, and There but for Fortune devotes itself strictly to Ochs' Elektra recordings, with a special emphasis on his best known political songs.
Like the band’s past material, the new record is fiercely and unapologetically political. Writing for the record began while Brexit was first becoming a reality and concluded during the US presidential election’s unexpected outcome. “This album was recorded in a political environment that collapses the late 70s economic crisis and the looming onslaught of arch-conservative neoliberalism, via Thatcher and Reagan, into the late 1930s, a world riven by fascist nationalism and white power fantasies in the US and abroad,” bassist Ryan Mahan explained in a press release.
Drummer, composer, and bandleader Ted Sirota is a passionate young man who lives his political, social, and cultural convictions through his music with his Rebel Souls musical outfit. On his first outing for the Delmark label, Sirota and his longtime mate, guitarist Jeff Parker, who emigrated from the Berklee College of Music to Chicago with him, turns in one of the most inspiring, integrational "jazz" performances since Charlie Haden's first Liberation Music Orchestra album. There are 11 tunes on the set, five of which were composed by Sirota, and the rest by bandmembers Jeff Parker, saxophonist Geof Bradfield, trombonist Jeb Bishop, and bassist Clark Sommers.
Live a Paris in Super Jewel Box showcases one of the best reggae artists alive. His authentic revolutionary music that fights for the rights of his people at the level of Marley and many other geniuses of the last century it's no wonder Fakoly is so well recognized and respected.