Mary's Mosaic Peter Janney

Mosaic's career was brief and is now largely forgotten, but the only album the French quartet recorded in 1978 remains a puzzling chunk of jazz-rock, of interest to those into the British and French varieties of '70s left-field progressive music. One hears the influence of the more complex groups from the Canterbury Scene (Hatfield and the North, National Health, post-Wyatt Soft Machine), but Canterbury jazz-rock this is not. There is too much fancy, too much madness in the music, bringing it closer in spirit and style to early Henry Cow or France's own Etron Fou Leloublan (without turning that mad) – Quebec's Sloche also comes to mind.