Mary Quant

Cette biographie de Raspoutine propose de faire la lumière sur les dernières zones d'ombre qui entourent la vie du personnage le plus énigmatique de la Sainte Russie. Sa date de naissance elle-même reste incertaine. Grâce à la découverte de nouvelles archives et aux témoignages des rares descendants de Raspoutine, mais aussi de son assassin Félix Youssoupoff, les historiens sont en mesure de reconstituer la vie débridée de ce moine sibérien en apparence plus puissant que le tsar lui-même. …

Countertenor Tim Mead leads an all-star cast in the Early Opera Company’s recording of Handel’s Amadigi di Gaula, conducted by Christian Curnyn. The opera was first performed in London in 1715, in the first season under the reign of George I, in the King’s Theatre on the Haymarket. The complex, twisting plot features lovers Amadigi and Orianna, imprisoned by the sorceress Melissa (who wants Amadigi’s love). Amadigi’s ally Dardano turns against his friend when he realises his love for Orianna (with whom Dardano is in love) and sides with Melissa. Her plans are repeatedly foiled, and true love triumphs at the final curtain! Amadigi is considerd the finest of his early London operas in terms of musical sophistication, theatrical pacing, and a perfectly balanced exploration of the interconnected relationships, motivations, and emotional divergences among just four dissimilar yet equally arresting characters.